Sunday, May 27, 2018

The Ewok Adventure (1984) and Redefining Franchise Canon


Hollywood is a business and, as such, works to make as much money as possible.  One way that the money is made is through franchises.  People will go see things that they recognize out of nostalgia for the previous installment.  Look at the theater experience now.  There’s not a week that goes by without some franchise releasing a new installment.  Deadpool 2 came out last week, continuing the journey of Wade Wilson while also showing more of the X-Men lore that has existed on viewing screens since 2000.  This week saw the release of Solo, the newest in the forty year old Star Wars franchise.  That brings us to this week’s movie.

The Ewok Adventure, also known as Caravan of Courage: An Ewok Adventure, was a television movie that aired on ABC in 1984.  It followed Wicket (Warwick Davis), returning from Return of the Jedi, as he helped Mace Towani (Eric Walker) and Cindel Towani (Aubree Miller) travel across Endor to save their parents from the evil Gorax.  They put together a band of Ewoks and caravanned to the cave of the Gorax to fight it.

One of the most interesting things about The Ewok Adventure is that it is not even be part of the Star Wars cinematic canon anymore.  When Disney bought out the rights to Star Wars and started producing the newer movies, they deemed that the extended universe was no longer part of the lore.  Only the theatrical movies and The Clone Wars television show from before the 2014 clean slate counted as part of the continuity.  Everything else was tossed out, leaving The Ewok Adventure as a lost part of the Star Wars legacy.

Star Wars is far from the only franchise in movie history to change continuity in an attempt to reboot the series while playing true to its roots.  Most of the time, this sort of thing happens in horror films.  Many of the examples that will be brought up will be examples that fit into the horror genre, since those are the ones that come to mind most easily.  Let’s start with Star Wars specifically.
Star Wars
George Lucas’s space adventure franchise began in 1977 with the release of Star Wars, later renamed Star Wars: Episode IV - A New Hope.  It was followed by two theatrical sequels in 1980 and 1983 called The Empire Strikes Back and Return of the Jedi, respectively.  Those could have been it, but the galaxy of Star Wars was expanded through three television movies about Ewoks and Wookies, as well as a myriad of books chronicling event that weren’t seen on screen.  In the books, people got to know the children of Luke, Han, and Leia.  The books dove deeper into the lives of supporting characters like Wedge Antilles.  There was even a history established in the world of Star Wars.  Then there were the theatrical prequels about Anakin Skywalker’s slide into the dark side, and the Clone Wars stuff.

Disney bought the Star Wars rights in 2012, and soon announced their plans to put out new theatrical movies that would, hopefully, go over better than the prequels had.  They did.  These new movies didn’t come without some controversy though, notably when it came to the lore that had been built since the 1970s.  Disney threw out all of the lore.  They didn’t erase it from existence.  The books, television films, and other story bits were collected into an offshoot called Legends.  But they took them out of the canon, essentially rebooting the franchise so it would be easier to do their own thing when it came to the new trilogy of movies.

Most of that rebooting worked for the Star Wars movies.  Episodes VII and VIII became two of the most successful movies of all time.  Rogue One was an interesting spin-off that brought in new characters, while still tying nicely into the original trilogy of movies.  Star Wars Rebels was a critically acclaimed television show, and there is a new universe of books that have been released since 2014, helping to set up the characters and story beats that people loved about the movies.  It was one of the more successful instances of rebooting part of a franchise to take other parts out of the canon.
Halloween
Halloween has been rebooted numerous times in big and small ways.  Of course, the most obvious was the third movie, which told a different story that wasn’t connected to the Michael Myers saga.  It told the story of a mask maker who was using his Halloween masks to cause a mass murder.  Then there was the Rob Zombie reboot that retold the origin of Michael Myers and Laurie Strode.  But the one most notable to the topic of erasing lore through a semi-reboot is Halloween: H20.

After the second Halloween movie, the story of Laurie and Michael was supposed to be over.  John Carpenter wanted the franchise to turn into an anthology, where each subsequent movie would be a different horror story that took place around Halloween.  That’s why Season of the Witch happened.  When that didn’t work out, the producers went back to the Michael Myers well.  Jamie Lee Curtis didn’t come back, so they wrote around that with the character of Jamie Lloyd.  She was Laurie’s daughter, now living with a foster family after Laurie died in a car crash.  That would be the basis for Halloween 4 through Halloween 6.

Jamie Lee Curtis agreed to come back for the seventh installment, as a celebration of the 20th anniversary of Halloween’s release.  This meant that there had to be a way for her character to be alive again.  That way was to brush the mythology that the previous three movies had built under the rug.  They were no longer canon.  Halloween: H20 was a sequel to Halloween and Halloween II, but not any of the other Halloween installments.  It was essentially rebooting the franchise at the third entry to create a new continuity.  It was a mild success, with Halloween: H20 being one of the better installments, especially coming off of the crazy mythology of Halloween 6: The Curse of Michael Myers.  It wouldn’t be the last time that a horror franchise ignored some of what came before.
The Texas Chainsaw Massacre
The film that kicked off this franchise came out in 1974 and told the story of a group of friends who were attacked by a family of cannibals.  The iconic character of Leatherface helped bring about three sequels, in 1986, 1990, and 1994.  Then the franchise went dormant.  It wasn’t a long franchise.  Other horror franchises at the time had many more movies in a shorter amount of time.  It was a memorable franchise, however.

The mid-2000s saw a full reboot of the franchise from Platinum Dunes.  That’s not the one that’s important to this post, though.  What’s important is what came after.  Following the two Platinum Dunes movies, the franchise was half-rebooted again.  This time, it went back to the continuity of the first movie, but ignored anything that came after.  Texas Chainsaw 3D came out in 2013 as a direct sequel to the original The Texas Chain Saw Massacre.  It ignored anything that was done in the second through fourth installments, and instead only continued from the first movie.  Leatherface came out in 2017 as a prequel to both The Texas Chain Saw Massacre and Texas Chainsaw 3D.  It was a new continuity for a new generation.
Sleepaway Camp
The Sleepaway Camp movies are more known for the twist in the original movie than the actual quality of the slasher fare.  That twist helped garner the attention that created a five movie franchise.  The first four movies were all one single continuity, with the second and third films following Angela after her transition was completed.  The sequels were more comedic, playing on Angela’s morbid sense of humour.

Rob Hiltzic, the writer/director of the original Sleepaway Camp made his own sequel in the mid-2000s called Return to Sleepaway Camp.  This sequel retained most of the original’s tone.  It took out the dark humour that the sequels were known for.  It brought back a bunch of the original performers.  Most importantly, it ignored the events of Sleepaway Camp II through Sleepaway Camp IV.  It was a direct sequel to the original without any of the lore that the sequels had put into the franchise.  It wasn’t a huge success, having been made in 2003 and released in 2008 to little or no fanfare.  It was a return to the roots of the series, though, which was nice for the people who had come into the franchise with the first and gone through the different tones that were the sequels.
Those are only four of the franchises that were rebooted with later installments that picked and chose what parts of the lore to keep.  They would ignore entire works to try and keep a concise mythology as they moved forward.  Most of the time, it happened in horror.  Star Wars was one instance where it was a different genre.

What benefit do these soft reboots give to Hollywood?  In the case of Star Wars, it allowed the fans of a new generation to come into the movies without having to dig into the exhausting extended universe that had been built up for nearly forty years.  It let Disney create their own extended universe that people would be more likely to purchase because it was canon.  Things were easier for fans, and more money could be made by the studio.  Win win situation.

The Ewok Adventure was one of the works that was pushed aside in the Disney reboot of the Star Wars franchise.  The continuing adventures of Wicket were no longer canon.  They may have entertained a certain generation of children, but the Caravan of Courage would be forgotten in future generations.  It’s a shame.  This is basically what the Star Wars Story spin-off films are doing, only with different characters.  Maybe there will be a remake in the future?  Who knows?
Now let’s get to some notes:

  • This post saw mentions of Halloween 6 (week 48) and the Sleepaway Camp franchise (week 150).
  • Tony Cox played one of the Ewoks in The Ewok Adventure.  He was previously in Date Movie (week 164) and Mom and Dad Save the World (week 186).
  • Wicket was played by Warwick Davis, who also played the leprechaun in Leprechaun in the Hood (week 120) and Leprechaun Back 2 Tha Hood (week 120).
  • Finally, Debbie Lee Carrington was in The Ewok Adventure.  She made other appearances in Tiptoes (week 28), Howard the Duck (week 75), and Mom and Dad Save the World (week 186).
  • Have you seen The Ewok Adventure?  What did you think of it?  What do you think of reboots that don’t reboot the whole series, but instead just remove some from continuity?  What others did I miss?  Let me know in the comments.
  • The comments can also be used to suggest movies for me to watch in future Sunday “Bad” Movies weeks.  Twitter can be used for that, too.
  • Sometimes when I watch bad movies, I share clips of them on my Snapchat (jurassicgriffin).  If that sounds like something you want to see, add me.
  • Next week is another week of the Sunday “Bad” Movies.  What I mean by that is that I’ll be checking out another bad movie.  This time, I’m going into the horror genre once again to check out a serviceable yet lackluster film called Intruder.  I have no idea what I’ll write about it yet.  Keep your eyes open in seven days’ time as a post will be coming your way.

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