There are no fewer than four superhero movies being released
to theaters this year. Some have already
been released, and some are still to come.
Captain America: Winter Soldier, The Amazing Spider-Man 2, X-Men: Days
of Future Past, and Guardians of the Galaxy have been some of the most
anticipated movies as this summer blockbuster season began. The public interest in these superhero flicks
has been around since the seventies, come to the forefront with the turn of the
millennium, and blown right open since 2008’s release of Iron Man. That movie began the Marvel Cinematic
Universe and people went from liking the singular films to loving the world
connected between many different series.
It seems only fitting that I would end up covering an Iron Man knock-off
for the Sunday “Bad” Movies.
That movie was 2008’s Iron Man knock-off titled Metal
Man. Ron Karkoska’s directorial debut
told the story of Kyle (Sam Hoffmire), a man trapped in a metal suit. He uses the powers that come with the suit
and the help of Dr. Arthur Blake (Reggie Bannister) to stop Sebastian (P. David
Miller)’s plan to use the suit for evil.
This is a lot of repeating the word suit. It’s a low-budget movie that aims to be a
decent quality knock-off film.
Metal Man got me to thinking about what makes a good
superhero movie and what makes a bad superhero movie. Why is Iron Man successful while Iron Man 2
isn’t? How come The Dark Knight is so
beloved while Batman and Robin is ridiculed?
Where does Metal Man fit into all of this? I decided to look at the different components
that shape superhero movies and franchises to find out what can strengthen or
weaken the movies. So here comes my
amateur and entirely unreliable breakdown of superhero movies.
Origin
Where a superhero comes from is as important as what a
superhero does to save people. Their
past has a huge influence upon their present and future. Not only does the incident in which they
found/created their power matter, but any events that had a large impact upon
their life may have turned them to the side of good rather than evil. They are the hero that they are for a
reason. That is why the origin is an
important part of any superhero movie/franchise.
The Good: An
important part of Spider-Man being who he is comes from his origin. In Sam Raimi’s Spider-Man series, Peter
Parker is bitten by a spider, discovers his special abilities, and uses the
newfound powers to help rid New York of crime.
This might seem like a simple origin but there is a little more to
it. Peter’s Uncle Ben is murdered during
a carjacking and tells Peter that “with great power comes great
responsibility.” This phrase resonates
with both Peter and the audience.
Following the vengeful defeat of his uncle’s slayer, Peter transforms
into one of New York’s greatest crime fighters.
Having the Uncle Ben death helps to make the transformation more
satisfying. He is driven to be honorable
and heroic by the death of his uncle.
Thanks to Uncle Ben, Spider-Man works to stop anyone else from suffering
a similar loss in their lives.
The Bad: Whereas
Peter Parker felt a sense of responsibility to use his powers for good, the
hero of Metal Man was only in the crime fighting for revenge. His mentor had put him in the suit shortly
before being killed. Then Kyle’s family
was killed by the same man. Finally, the
girl that he had a crush on was taken hostage.
He did not become a hero out of any sense of obligation to saving the
general population. Kyle became a hero
because he was forced into the suit and the people he cared about were being
targeted. The problem with this origin
is that there is no moral satisfaction in stopping the villain. There is also no reason for the hero to
continue fighting crime once the villain is defeated. This kind of an origin takes the hero out of
the term superhero. He’s just an angry
guy with powers.
Costume
Movies are a visual medium, as are comic books. That is why it is important for a superhero’s
costume to look good. It has to be
pleasant on the eyes while at the same time being practical for crime
fighting. As The Incredibles shows, you
don’t want a cape if you are doing something near a plane. A superhero is as limited by his or her
costume as he or she is enhanced by it.
The Good: Avoiding
the obvious in Batman, let’s look at the movie Captain America: The First
Avenger. Visually, the costume that
Steve Rogers is given fits the propaganda style of the character like a hand
into a glove of the right size. It
complements the 1940s setting of the film, not standing out at all. The costume has no flair to it that would
make it unmanageable while fighting evil.
It truly is the perfect costume for the 40s era Captain America.
The Bad: The idea
behind the suits used in movies such as Iron Man and Metal Man is a solid
one. A suit of armor is used to allow
the hero to obtain certain powerful characteristics. This does not mean that the suit in Metal Man
is flawless. There are some major
drawbacks to the suit, first and foremost being that the helmet can never be
removed. Kyle must always be wearing the
helmet. How will he eat if the Metal Man
helmet is always on him? There is a
liquid fuel that powers the suit and fuels him, but what about when that supply
runs out? There is also the problem of
the suit malfunctioning. If the helmet
were to break down, he would be trapped in a possibly immobile suit and die
because he couldn’t move. The man who
created the suit is dead so he would not be able to get any outside help. These are problems in the costuming area of
Metal Man.
Villains
A big part of enjoying a superhero on screen is watching
their struggle against a worthy opponent.
A formidable villain knows where to strike to take down a hero. They build up a threat that has high stakes
for both the hero and the general population, and will take a lot to
overcome. Most of all, a good villain is
memorable and a really menacing figure.
They make trouble on a big scale and often use the hero as a means to
their ultimate end goal.
The Good: The
reason that I didn’t use Batman as the example of a good suit is because I
wanted to save The Dark Knight for an example of a good villain. By that, I mean Joker in the 2008 film. Batman is a vigilante that stands for justice
and values life. With Joker comes chaos
and death. He is everything that Batman
is not. However, he is not just a good
villain for being the antithesis of the caped crusader. He also brings down Harvey Dent, Gotham’s
symbol of good, and leads him to become Two-Face. This is done through leading and persuading Batman’s
actions. Add to all this that Joker
looks unique and is given great dialogue to play with, and you have one of the
most captivating, memorable superhero movie villains to date.
The Bad: And
we’re back to Metal Man again. Do you
know what the name of the villain is?
Neither do I and I watched it. I
also wrote his name at the beginning of the post. I have to look up all of the characters’
names in order to write this post. I
don’t even know what the villain’s ultimate plan was. He wanted the metal helmet so that he could
do bad things with it. I can’t remember
if he said why, but that doesn’t matter.
Is the villain as strong as Metal Man?
No. Can he outwit Metal Man? No.
The only thing that the bad guy has going for him is that he knows who
Metal Man cares about and he can threaten them.
There is nothing to get out of a villain like that in a superhero movie
since he is so overpowered by the hero in every aspect.
Different Subgenres
As the popularity of superhero movies has grown, the movies
have adapted themselves into differing subgenres in order to stand out. This technique has helped to alleviate most
instances of repetition by bringing something new to a concept that lends
itself to repeated storylines. Instead
of having simple action-filled hero versus villain battles, there is a depth
injected into the story, making it feel fresh.
The Good: For
this part of superhero movies, we turn to Iron Man Three. Like any superhero movie, it is primarily an
action flick. But there is more to the
movie than that. Iron Man Three has a
lot of buddy movie influence to it. A
large portion of that is thanks to Shane Black who wrote and directed it. The relationship between Tony Stark and James
Rhodes pops in a way it had not in the previous two installments. It even manages to have Tony working with a
child for a large portion and make them play off of each other like a classic
80s buddy movie. The third movie in a series
hardly ever feels this fresh.
The Bad: The
counterpoint to Iron Man Three is Metal Man, which is as straight-forward as a
superhero movie can be. Kyle becomes
Metal Man, and takes down the people who want to use him for evil. It doesn’t move out of the standard superhero
format to try anything new. Instead, it
has an origin, then has the bad guy targeting the good guy and the good guy
trying to stop the bad guy. Some action
scenes are thrown in. It doesn’t try
anything different than the numerous other superhero movies that are out there
to watch.
The Actors
The single most important part of adapting a superhero film
is to find an actor that can embody the character. The actor should be able to portray the
character and their alter ego (if there is one) equally well. There should be a feeling that the character
must be played by that person. The
adaptation would seem wrong if somebody else was in their shoes. And the performance should be good.
The Good: The
most standout example of casting the perfect actor for a superhero is
Christopher Reeve in the Superman movies.
He WAS Superman. He was able to
portray the Clark Kent side of the character just as well. In the years since, Brandon Routh, Tom Welling,
and Henry Cavill have all played the same character, but none captured the
hearts of the general public in quite the same way. There is no real disrespect to the other
actors by anyone. It’s just a case of
Reeve’s performance being magical and THE definitive version of the character
on screen. Nobody has been able to top
his performance.
The Bad: This is
another instance in which Metal Man fails to stand up under scrutiny. The acting in the movie is not particularly
good. Reggie Bannister is the only
person who puts in a memorable performance.
He is not Metal Man. Metal Man is
played by Sam Hoffmire, who gives no weight to his acting. He seems like someone that the director
pulled off the street to fill a role that had not yet been cast. He was forgettable and could have been
replaced altogether without it hurting the character.
All of these different aspects help to make superhero movies
into the fun blockbuster films that they are.
They aren’t the only reasons that people love the movies, but these
details were a big part of it. Metal Man
is missing many of the qualities that make a great superhero movie. That left it lacking in any real
thrills. There is potential in a
knock-off movie to make some enjoyable output.
Sadly, it didn’t happen with Metal Man.
I know this is a long post, but there are some notes to put
in here as well:
- One superhero movie was previously covered. It was Superbabies.
- There are a lot of knock-offs that have been included in the Sunday “Bad” Movies. Tappy Toes, A Car’s Life, Snakes on a Train, Paranormal Entity, Nazis at the Center of the Earth, and Hansel & Gretel Get Baked.
- Metal Man was suggested by @J0shArcher.
- If you want to see a movie get watched of the Sunday “Bad” Movies, feel free to suggest it in the comments or to me on Twitter.
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