Sunday, May 4, 2025

Bait Shop (2008) Feels Like a Sitcom


Television and movies have different origins. Movies were the result of still images becoming motion picture. Eventually, that would partially influence television’s creation. First, it branched off in a completely different direction. Movies went the route of technological innovation. Sound, colour, better cameras. Television took the motion picture camera but used it to bring radio to a visual medium. Live radio led to live television. Talk shows, sports, and variety shows dominated the early days of television. Radio serials led the way into television shows. Movies went the route of storytelling through visuals while television went the way of events.

Through most its existence, television felt smaller. It felt simpler. Those early days of scripted television didn’t have as lasting an impact. The stories always returned to their status quo so people wouldn’t be lost if they missed an episode. Movies never had that issue. You went to a two-hour movie and got a complete story. With television, you watched one episode of a twenty-four-episode season per week. You might not have the time every week for the show. Things have changed now that technology has changed. Home video and streaming have made it so that people can catch up on episodes they missed without having to wait months or years for reruns to air at a specific time on TV. Many television shows changed with the times and built stories that didn’t reset at the end of each episode.

However, there are still some types of television shows that still use those older formats. Procedural shows are still a big thing on network television, with each episode having a different crime for the main characters to solve. Medical dramas still exist with each episode involving new patients needing to be treated, though there’s more drama between the main characters than there might have been in the past. And then there’s the sitcom, that genre of half-hour comedy that has become the antithesis of television. Things change over time in sitcoms, but it’s mostly about what goofy antics the same characters can get up to each week. There may be some serialized story threads, but most episodes are simply characters getting into wacky situations without any real consequences.


The rise of home video and streaming has brought television and movies closer together than ever. Shows got more serialized, having the ability to tell movie-like stories in longer form. Movies have turned to franchises, a bigger budget version of television or serials, only with longer gaps between episodes. Then there are the weird cases where movies feel like repurposed pilot episodes of failed television shows. Certain buddy cop movies might feel like procedurals that didn’t get greenlit by a television studio. Or you have Mulholland Drive, which was meant to be a pilot episode to a new David Lynch show, only to be turned into a movie after executives cancelled the production.

A movie that might not have been a television pilot, but certainly felt like it, was Bait Shop. This 2008 comedy very much felt like a sitcom of the late 90s or early 00s. Bill Dugan (Bill Engvall) was a struggling bait shop owner who was trying anything to make ends meet. The biggest problem was that a new shop opened across the parking lot. It was a Bass Pro Shops style of store owned by popular professional bass fisher Hot Rod Johnson (Billy Ray Cyrus). The only way for Bill to save his shop was to beat Hot Rod Johnson in the local bass fishing open and take home the grand prize.

Bait Shop was an interesting movie. It wasn’t particularly good. There were a couple crazy moments, but nothing about it made me ever want to watch it again. The interesting thing was how much it felt like the pilot to a television show. Specifically, it felt like the pilot to a sitcom from the late 90s or early 00s. One of the hybrid workplace/family sitcoms, like a Home Improvement or a King of Queens. Only, you know, worse.


All the elements of a sitcom from that era were there.

The bait shop was a location that you could always come back to. Aside from the pending foreclosure, obviously, but this pilot episode that ended with Bill winning the fishing competition would change that. There was the shop part of it, with the stock and the coolers and equipment. There was the diner part of it with the bar and the stools and the tables along the wall. There was the closet and, I presume, office off to the side. You had your three separate areas. It might be a little bigger in sitcom form, but all the essentials were there.

The home life was being built out. The relationship between Bill and his wife where they loved each other, but Bill kept his financial woes a secret until she eventually found out. The relationship between Bill and his son where the son was embarrassed by Bill before coming around to his side. The relationship between Bill and his father-in-law where the father-in-law always thought Bill wasn’t good enough for his daughter. It was some basic home drama stuff that many sitcoms shared.

Then there were the supporting characters at the bait shop. The two old guys who were like Bait Shop’s version of Statler and Waldorf from The Muppets. The maintenance guy who Bill brought on even though he was too goofy for anyone else to hire. The anarchist, chaos guy who… I don’t know why he was around. The server at the diner. There was even a mailman who would quickly pop in, and a hint at a potential relationship between the mailman and the diner lady.


The basic elements of a sitcom of that era were there. The story played out like an episode of a sitcom. A rival fisherman showed up to open a new shop and Bill had to find a way to beat him and save his own shop. That could either be one episode or the entire basis for a series, depending on the sitcom. It was very sitcom-like, though. It was not unlike any episode of Brooklyn Nine-Nine where the Nine-Nine went up against the fire department.

Bait Shop came out during the run of The Bill Engvall Show, a TBS sitcom that Bill Engvall starred in. I could see it being one of a few ideas he pitched to the network before they settled on the show that they made. It was a rejected idea, but Bill didn’t want to let it go to waste. He wanted it out there, so the focus was shifted from sitcom to movie. They didn’t change it enough to get rid of that sitcom taste, though.

I could be completely wrong about all of this. I don’t currently work in the film industry. I went to school for film, but never took that next step. I definitely wasn’t involved in the industry at all when Bait Shop was released. I was in high school. Something tells me that Bait Shop began its life as a sitcom idea, though. Everything about the story pointed to it.


There have been a few movies that started as television shows and a few television shows that started as movies. These two forms of entertainment have become almost interchangeable. Movies and television had different origins. Through most of their histories, they had different functions. In many ways they still do. Television has been the leading way to see live events when you aren’t live at the event. Sports, musical performances, talk shows… Television is still the way to watch those. But with the rise of home video and streaming services, television has adapted into a form of storytelling much like movies, only in a longer form and cut into smaller segments.

Now, more than ever, it has become increasingly difficult to determine what began its life as a movie and became television, or vice versa. Scripted television has basically, outside network television, become a longer form version of the same style of storytelling as film. Nearly the same level of production, for sure the same method of filming, only with more time to tell the story. The split that happened with the invention of the moving picture has come together once more.


Now it’s time for this post to split off into some notes:

  • Let’s kick things off with the newest member of the five-timer’s club. Richard Riehle was in Deuce Bigalow: Male Gigolo, Dorm Daze 2: College @ Sea, The Search for Santa Paws, Say It Isn’t So, and Bait Shop.
  • Jeff Chase appeared in Bait Shop. He was previously seen in Freelancers, The Marine, and The Fanatic.
  • Three people from Bait Shop were in the Sharknado franchise. Billy Ray Cyrus was in Sharknado 2: The Second One, while both Bill Engvall and Douglas Lopez were in Sharknado 3: Oh Hell No!
  • With Bill Engvall being the star of Bait Shop, it only made sense he would use a few of the cast that his Blue Collar Comedy Tour partner Larry the Cable Guy used in Larry the Cable Guy: Health Inspector. Those cast were Tom Hillmann, Kristin Popelka, and Randy Robinson.
  • Vincent Martella played Bill’s son in Bait Shop. He was previously in Deuce Bigalow: Male Gigolo.
  • Jesse Kozel appeared in both Bait Shop and The Summer of Massacre.
  • Drop Zone and Bait Shop each featured Tim Powell.
  • You might have recognized Mary Rachel Quinn in Bait Shop. Maybe not. She was in Fant4stic, too.
  • Finally, Tyler Ross returned to Sunday “Bad” Movies in Bait Shop, after first popping up in Automaton Transfusion.
  • Have you seen Bait Shop? Did you even know it existed? Let me know your thoughts in the comments. You can also get a hold of me on Threads or on Bluesky.
  • The comments, Threads, and Bluesky are places you can also find me if you want to suggest a bad movie for me to watch. I’m always on the look out for things I either don’t know about or didn’t think about.
  • Let’s end off with a look at what’s coming up. I already have my next few movies picked out. I’ve been watching and writing, which means they should come out bam bam bam pretty quickly. The next post, which might drop the same day as this one, is for Mouseboat Massacre. That will be post 557. Then I’ll get around to Beer League, which was suggested to me last year. That’s post 558 for you. Post 559 will be the next film in the Triple B series. I’ve seen Malibu Express, Hard Ticket to Hawaii, Picasso Trigger, and Savage Beach. It’s time for some Guns. Finally, 560 will be some more Amityville movies. It hasn’t been too many posts since I last dove into Amityville, but it has been a few years, so I’m getting back to it. After that, I don’t really know yet. But there’s the plan right now. I’ll update you a little more when the Mouseboat Massacre post drops. See you then.

Sunday, March 30, 2025

Trucks (1997)


Few marketing strategies and commercial series have worked quite as well as what Molson rolled out in the early 2000s. They produced ad after ad for Molson Canadian that were all about being Canadian. The stereotypes, the music, the alternative sizes of beer containers. Everything was targeted at Canadians who were proud to be Canadian. The slogan that came with each ad was “I AM CANADIAN.” It spoke to anyone in Canada who was a fan of hockey, beer, and kitschy Canadiana.

Well, I am Canadian and that’s a piece of my history. It’s a piece of my growing up watching the Toronto Maple Leafs when they had players like Mats Sundin, Darcy Tucker, and Tomas Kaberle. That campaign (there’s the word I’ve been looking for while starting this off!) wasn’t the only thing I picked up while growing up Canadian. The names of those players weren’t the only names I retained in my formative years. As you know, movies have always been a big part of my life. What happens when you merge movies and Canadiana? Canadian film, of course. And films shot in Canada.

The access I had to movie channels in Canada allowed me to see a lot of shot-in-Canada stuff. The Movie Network and Superchannel were a big part of that. They would play the big movies of the day, but they would also play some Canadian movies. My parents also managed to steal some Pay-Per-View channels, which gave me access to pretty much any new release, including direct-to-video sequels. Many of those sequels were shot in Canada.

As I watched more and more movies either made by Canadians or filmed in Canada, some things started to stand out. There were certain locations that popped up time and time again. I would see Mr. Sub in the background. Certain landmarks of Toronto would sneak into the city skyline of movies set in New York. That wasn’t all, though. I noticed the same faces in many of the movies I watched.

The working actors of Canada showed up in movie after movie and television show after television show filmed in the Great White North. The more movies and television I watched, the more I would see them. The same group of actors kept showing up. I came to recognize their faces. I came to know their names. Whenever they showed up in something I was watching, I would point at the screen like I was Rick Dalton in Once Upon a Time in Hollywood. I was the meme, years before the meme was a thing.


Trucks
was one of the earlier movies with a few of these actors that I have grown familiar with. It was the second adaptation of the Stephen King short story of the same name (the first being Maximum Overdrive) and came out in 1997. Something happened that brought trucks to life. A few trucks trapped a few people in a truck stop and diner. The people had to band together to survive or die at the wheels of the trucks.

I want to use one of the lesser Canadian working actors in Trucks to help you understand what I mean when I say that they showed up all the time. Roman Podhora played Thad, a military father whose family was stuck at the diner. As soon as I saw the name, I knew I was in for someone I knew from that 1996-2013 era of movies made in Canada. His face clicked as soon as I saw it. He was in Supernatural. Then I looked him up to see what else he worked on. Smallville, Alcatraz, Fringe, and Final Destination 5. All of them were filmed in the Vancouver area. He wasn’t the star in any of them.

This would be the same for most of the actors I would toss into the Canadian working actor umbrella. They were rarely stars. If they had been stars, they likely wouldn’t have stayed in the Canadian industry. They would have left for greener pastures. That’s why I find it so interesting to recognize these specific actors through the work they do.

I should also note the role of Sunday “Bad” Movies in recognizing some of these actors. I’ve watched a bunch of Canadian-filmed movies as part of Sunday “Bad” Movies. Those direct-to-video sequels are part of the bread and butter of what makes this blog tick. The non-sequels that were just Canadian-produced movies have also been a part of the blog. I haven’t only been watching them for Sunday “Bad” Movies, but the blog has given me reason to watch even more.

Now, in my head, I’ve categorized these actors into four different headings. It’s about time I write all this down. It’ll be a way for me to get it out of my head so I can finally sort through all the knowledge. It will also help anyone who reads this to understand that era of Canadian working actors and how abundant they were in movies of that time. There’s a specific order to how I’m going to go through this. It makes sense to me, and that’s all that matters.


1. The Elevated Actors

I’m going to start big, with the people who became more recognizable than being simple working actors in the Canadian-filmed landscape. These were the actors who started there, and maybe went back there, but had a moment where they escaped it to become major parts of American productions. Maybe they were the star of a television show, or a regular supporting actor in movies. Whatever the case, they elevated their careers beyond Canada.

A movie I’m going to keep coming back to through this post is Final Destination 2. It was a Canadian-filmed American horror movie that had a whole slew of actors who fit into the Canadian working actor realm. The one I want to focus on right now was the lead of that film, A.J. Cook. She always straddled that line between Canadian working actor and Hollywood actor. She appeared in guest roles in things like Goosebumps and Psi Factor and Dead Like Me. Then she got starring roles in things like Final Destination 2 and Tru Calling and Wishmaster 3: Beyond the Gates of Hell and Criminal Minds. She jumped between the guest and supporting roles awarded to most Canadian working actors, and the starring roles that frequently went to Hollywood actors working in Canada. Hell, she’s still working on Criminal Minds.

Most of the elevated actors, people like Lochlyn Monroe, Stephen McHattie, and Katharine Isabelle didn’t straddle the line in quite the same way. They showed up in a whole lot of supporting roles in Hollywood productions. Lochlyn Monroe was in things like Riverdale and Freddy vs. Jason in major roles. Katharine Isabelle was also in Freddy vs. Jason, as well as stuff like It’s a Wonderful Knife and Snow Day. Basically, these actors were quite recognizable for their supporting roles in Hollywood productions but were only given starring performances in fully Canadian productions.

I’m not even going to get into how Paul Gross was the biggest actor in Canada during the 2000s because he wasn’t even a working actor. He was a Canadian star.

Now that we’re past the elevated actors, some of whom I name dropped, let’s get into the three main categories. I had to include this as a fourth because a few of the actors just straight up became recognizable. They were being cast because of who they were, rather than because a movie being produced in Canada needed an actor. I want to focus more on the ones where people might be like “Oh yeah! I’ve seen them before!


2. You Probably Don’t Know Them, But They’re There

The second category of actors I want to go through are the ones who kind of blend into the movies they’re in. They don’t stick out like the actors I’ll get to after this. They didn’t make it out of the Canadian production world, either. Not really. Not like the actors who made it to Hollywood. These actors simply showed up in movies and television shows produced in Canada, did their jobs, and kept doing their jobs in project after project after project.

This was where Trucks started to pull in Canadian actors. Roman Podhora came up earlier in this post. This is the category I would place him into. He was always a face that would create an itch in your head as you tried to figure out where you had seen him before. Nothing really stood out in his career, though he worked on a whole bunch of stuff you’d seen. The roles weren’t overly memorable, but his face was familiar only because you’d seen him in all the stuff.

Michael Adamthwaite was another actor that fit into this level of Canada-produced movies. You might not recognize his name. You probably don’t. The only reason I know it is because he appeared in a whole bunch of Sunday “Bad” Movies. Like Roman Podhora, he had small roles in television shows that included Supernatural. You’ll see that show come up a bunch. He was in The Marine 3 and In the Name of the King: Two Worlds. You’ll notice a lot of Uwe Boll collaborations in these actors, too. I don’t remember him being anything more than bit roles, but I could be wrong.

The top actor in this category would probably be Mike Dopud. You need to remember that these actors should be recognizable, but you shouldn’t necessarily know why. Mike Dopud fits that because he hasn’t really had a role where you remember him. Well, unless you’re crazy like me and spend a good chunk of your movie watching time taking note of these Canadian actors. He did a bunch of Uwe Boll work, some of them in bigger roles. That doesn’t mean they were memorable. He was in a few of the Air Buddies movies. He even showed up in Ballistic: Ecks vs. Sever. And then, of course, an episode of Supernatural. I’m not going to say you wouldn’t know Mike Dopud if you saw him. You might not be able to remember any of his roles, though, and that’s kind of what this tier of Canadian actor is.

Interesting side note, all three of these guys were in Final Destination 5. I thought Final Destination 2 was going to be one of the most important movies in this post, but the fifth film is giving it a run for its money.

Remember, these are people that you would recognize if they popped up in a movie or television show you were watching. Their roles wouldn’t be all that memorable. Their faces, though, you would know from sheer osmosis. The next category will amp that up just slightly, and then the final category will take it to the final level before Hollywood.


3. You Know Them, But It’s Really for One Role

There are a certain group of Canadian working actors who would be in the second category if not for one role that people recognize them for. People will see them pop up in something and say “I remember when they…” and then describe the same role. Every person will describe the same role. It might not even be so much about their performance. It could simply be the scene they were in. What happened in the scene. That sort of stuff.

A perfect example would be Jay Brazeau, one of the actors in Trucks. He was one of the people traveling with Thad and his family. I wouldn’t call him all that memorable in Trucks, even though he was an important, major character. I don’t know how many people would remember he was even in Trucks. They would, however, remember him for another movie he was in that same year. Think on this one. What’s the most memorable part of Air Bud? It’s not the dog choosing between the kid and the clown. It’s not the kid bribing the dog with pudding. It’s not even an actor who will show up later in this post fouling the dog during the big game. No, the most memorable part was when Jay Brazeau, as the referee of the basketball finals, said “Ain’t no rule says a dog can’t play basketball.” He might be a recognizable face, but that one role is all he is known for.

Obviously, Jay Brazeau wasn’t the only actor who fit this bill. He was just the first one who came to mind because I watched him in Trucks before writing this post. Jared Keeso is another actor who you may have seen around movies and television frequently, but you would basically only know him for one role. That role was, or is, Shoresy from Letterkenny. He even got a spin-off for his character. Before creating his own show that became a bigger hit than I think anyone would have expected, he was your typical working Canadian actor showing up in direct-to-video sequels like The Marine 3: Homefront. He popped up in episodes of Supernatural and Smallville as well. He was a Canadian working actor in the Vancouver area, so he got roles in projects that filmed in the Vancouver area. Of course, he’s now much more well known as Shoresy. But he was in a bunch of stuff filmed in Canada before then.

The final person I want to put in this category is Emily Perkins. She was one of the two leads in the Ginger Snaps series of movies, which is what she’s probably best known for. At least, for horror fans, she’s known for Ginger Snaps. For people who aren’t huge fans of horror, they might not know her at all. She has made smaller appearances in Hollywood movies, but they were all filmed in the Vancouver area, so she didn’t leave her Canadian working actor roots. The size of the roles were what kept her from elevating into the Hollywood actor level. She was also in Supernatural, because I think every Canadian working actor was in Supernatural at some point. To be fair, that was a memorable role, and she might not actually fit into this level of actor because she might be as well known for it than for Ginger Snaps, simply because of how popular Supernatural became. I think she got that role partially because of her history with the Ginger Snaps franchise, though, so I’m counting it as an extension. Let me fail at justifying this. Please.

Each of these Canadian working actors have become synonymous with one role from their careers. Some people might recognize them for a second role, but it’s that one role that the general population remembers them for. It could be a hockey goon, or a girl going through her teenage years with a werewolf, or they could have let a dog play basketball in an important game. That’s different from the fourth, and final, category. 


4. You Recognize Them As Soon As You See Them and Can Name Things They Were In, Even If You Can’t Name the Characters

Excuse the long title for this fourth category, but it will make sense in a second. There’s a difference between the working actors who fit into this category and the actors who made it big and moved into consistent big roles in Hollywood productions. The people in this level rarely got leading roles, instead staying as a sidekick or a major supporting character. You would know them as soon as you saw them and be able to point out a bunch of work that they’ve done. Maybe you wouldn’t know their name. Maybe you wouldn’t know their characters’ names. You would absolutely know what they were in and the character they played, even without the name. You know?

One of the biggest ones, in my opinion, is Brendan Fletcher. The name might ring something in your mind. I’m pulling from Trucks again, where he played the son of the main character. I’ve brought up a few movies he’s been in throughout this post. He was in Air Bud as the kid who transferred to a different school and then fouled Buddy in the final game. He was one of the telekinetic kids from the first two seasons of Supernatural. He was in a whole bunch of Uwe Boll stuff, including as a taxi driver in Alone in the Dark and the lead in all three Rampage movies. He even popped up in the Ginger Snaps sequel and prequel. Oh, and I just saw him in newest season of Reacher as a thug for the bad guy. There have been a million other projects he was a part of. Brendan Fletcher was one of the first working Canadian actors who stood out to me, before I even knew how many there were. That’s why I was able to name so many projects he was in and who he played in them.

Next up, I want to present Keegan Connor Tracy to you. Kids might know her from the Descendants movies. Most older people would recognize her because her distinctive face has popped up in a whole slew of projects over the years, particularly in the 00s. I first knew her from Final Destination 2. She was the lady who got impaled by a PVC pipe, thanks to the jaws of life and an air bag. She showed up three times in Supernatural as different characters. I remember her playing the worker at a bookstore when Sam and Dean found out there were books written about them. She also has an Uwe Boll movie under her belt. She was in Blackwoods. She has been around. I’ll always remember her for Final Destination 2 and Supernatural, though.

Let’s transition through Blackwoods to get to our next actor in this category, Michael Eklund. An Uwe Boll regular, he showed up in Blackwoods, In the Name of the King: A Dungeon Siege Tale, BloodRayne 2: Deliverance, and House of the Dead. With Michael Eklund, recognizing him isn’t so much about recognizing his characters. I just happen to remember him being in things and making them more entertaining. His presence was memorable in his work, which elevated him beyond category 2. He was in The Marine 3: Homefront as a henchman of the bad guy, I think. I know he’s in there. Can’t remember what he did, but it was the movie that made me recognize him. He was in Chokeslam in a major role. I just don’t remember much of that movie, but I remember all the main actors being entertaining. He was in all the usual television shows, including Supernatural and Smallville. I remember him being in them. I don’t remember specifics. The actor is more memorable than the roles he played, which is interesting.

I have two more actors that I want to mention in this category. The great Jonathan Cherry should be brought up. This guy is always a hoot. He’s another actor I first recognized from Final Destination 2. He got killed right after Keegan Connor Tracy. Her cigarette fell out of her dead hand into some gas which exploded a barbed wire fence that sliced Jonathan Cherry into a few pieces. Crazy stuff. But he also showed up in House of the Dead. Then there was his sidekick role in WolfCop and even more so in Another WolfCop. He had one of my favourite lines in that sequel, when he asked why the organ player wasn’t wearing pants. Most people probably recognize him for either Final Destination 2 or for playing the goalie in the Goon movies. I’ve seen him in a few other movies (The Novice, Supergrid) because I’ll watch movies based on his appearances. I’d say Jonathan Cherry is my favourite of the Canadian working actors.

Finally, we’re getting to Aleks Paunovic. This is another recognizable face where, as soon as he comes on screen, you’re likely to be like “Oh! It’s the guy from this and this and this!” That’s kind of who he is. I don’t know that I could tell you a huge role people would know him from. But he was in the Hawkeye Disney+ series, as well as the newest season of Reacher as Russian gangster types. I know him more for stuff like The Christmas Consultant (Russian businessman), Wishmaster: The Prophecy Fulfilled (bouncer at a nightclub), The Marine 3: Homefront, In the Name of the King: Two Worlds, and Kindergarten Cop 2. And guess what? He’s in the two TV shows I probably don’t have to name anymore. This guy gets around and he’s entertaining wherever he goes.


The actors I mentioned throughout this post aren’t nearly all the Canadian working actors I could name. Let me list off a few more for you. Ben Cotton, David Paetkau, Kris Lemche, Reese Alexander, Steve Bacic, and Michael Teigen. I think I chose actors who could best exemplify the different categories. Maybe, now that you know the names and things they’re in, you might be able to start giving them more attention too. Maybe not. Wishful thinking.

Anyway, keep an eye out when you’re watching something that was filmed in Canada. I know we’re more than a decade out from the peak of the specific actors I’ve mentioned in this post. Some of them still show up, though. You might still see them in the things you watch and enjoy. They deserve some love for the work they’ve put into all the movies and television shows you’ve seen. Why not give them that love?


Now let’s get to notes, and there will be a lot: