Sunday, July 1, 2018

Screwballs (1983) and Inspiration Trends


Inspiration comes in all shapes and sizes.  When a writer sits down to form a script, they could get their ideas from any number of sources.  If they’re writing an adaptation, the book or story that they’re basing their script on is the inspiration.  There are movies that take their basic premise from other movies, though, and those are the movies most important to a discussion about bad movies.

Over the years, there have been many touchstone moments in the history of cinema that caused studios and writers to think “Oh, that’s a good idea.”  They then put their heads together and imitated what they thought was good to produce other, usually lesser, versions of the same thing.  They want to cash in on a popular idea that viewers enjoyed and don’t always pay attention to their own cheap copy.  That’s how you end up with things like this week’s movie, Screwballs, where you can see the influence, but the quality just isn’t there.

Screwballs was a 1983 movie released in the popular wave of Porky’s.  It took much of its sensibilities from the Canadian teen sex comedy, and tried to make its own magic.  That never really worked, leaving a lackluster black hole of laughs.  Nothing really landed.  There were five teenagers trying to see the breasts of the school’s most beautiful student.  Their antics led to a lot of nudity, and a lot of detention.

The inspiration that Screwballs got from the success of Porky’s wasn’t the only time in history that a movie’s popularity has led to imitators throughout the business.  Ignoring the practice of mockbuster filmmaking (sorry, The Asylum!), there have been many times throughout cinema where one movie hit it big and other producers decided that the time was right to make similar films.  It happened in the early years of Hollywood, when studios would search for stars similar to other popular stars, in order to cash in on the money that other studios were making.  But, in the case of Screwballs, it was a specific movie that became popular that led to its creation.  The producers wanted a movie that was nearly the same because people liked it the first time.

Those trends inspired by the popularity of one movie inspired the idea of looking at some of the instances where that happened.  The Sunday “Bad” Movies haven’t shied away from trends.  Movies have been covered that fit into the trends, whether as sequels to the popular movies, or as cash-ins meant to make money off of the success of the first movie.  No matter what the situation, the movies were reactionary products to success as everyone wanted a piece of the pie.  Here are some of the most notable.
Jaws
Steven Spielberg has been a major force in film since the 1970s, churning out hit after hit.  Even if the movies weren’t hits, they were almost always notable for what they added to the cinematic landscape.  The film that made him was 1975’s Jaws, a movie about a shark attacking the shores of an island during the Fourth of July celebrations that brought many tourists to their beaches.  It seems only fitting that this movie is brought up now, as we approach that time of year.

Jaws, along with a movie that will come up soon, helped to usher in the blockbuster era of Hollywood filmmaking.  They proved that summer could be a profitable season for movies, particularly ones with action sprinkled in.  With the popularity that it gained, many movies came out with similar stories.  Animal attack movies became quite the rage, with movies like Grizzly being released.  There were even more in the aquatic vein.

One of the more famous examples of movies that took the Jaws fame and went with it to try and make money was Piranha.  From the direction of Joe Dante and the production of Roger Corman came a movie about a bunch of piranha killing people at a resort.  It wasn’t on the same big budget level as Jaws, instead going for the cheap and easy Roger Corman B-movie style.  Universal considered putting out a lawsuit against it because of how closely it mirrored the concept of Jaws, though they ultimately did not.

Another example, and one that was a part of the Sunday “Bad” Movies was Orca, from 1977.  It was adapted from a novel, meaning it wasn’t just taking the Jaws story and fitting it with another creature.  It definitely got made because of Jaws, though.  After seeing Jaws, producer Luciano Vincenzoni wanted to make a similar movie with a creature that could be seen as tougher than a shark.  An author named Arthur Herzog had a novel about a killer whale called Orca, and they settled on that.  The movie was about a killer whale causing destruction in Newfoundland as revenge for the death of its mate.  People didn’t like it, but it has since gained a cult following and a place in the history of Jaws.
Star Wars
The other movie that helped to bring about the rise of blockbuster films in Hollywood was Star Wars, the 1977 George Lucas space opera.  People went back to the theater time and time again to see Luke, Han, and Leia fight Darth Vader.  The two movies that followed, The Empire Strikes Back and Return of the Jedi, were just as popular.  There’s a reason that the franchise is still such a huge force in movies, and it all comes down to the success of that first film.

No success is without its imitators, though, and there were many movies that came out in the wake of Star Wars, capturing whatever audience they could.  One of the most notable instances was the James Bond franchise, which frequently tried to capitalize on what was popular.  That happened with Live and Let Die, when it took inspiration from the Blaxploitation trend in cinema.  When Star Wars came out, the people behind James Bond decided to make a space action movie of their own and came out with Moonraker.  That wasn’t nearly the only movie to take from Star Wars.

The Sunday “Bad” Movies began many years ago with a post about whether a movie could be so bad that it was good.  The movie that made that post possible was Starcrash.  It took many story elements from Star Wars.  There were a pair of smugglers who helped to overthrow an evil Emperor.  There was a prince, instead of a princess.  There was a robot helping the good guys.  There were lightsabres.  It’s hard to deny that this movie was made to capitalize on the success of Star Wars.  It wasn’t the only movie in the trend to make space operas.  It’s the one most relevant to this blog, though.

Other notable examples of movies made to play off of the success of Star Wars include Battle Beyond the Stars, a science fiction version of the Seven Samurai story, and Turkish Star Wars, which literally took imagery from Star Wars and placed it into the movie.  There were many more as people realized that outer space was a viable setting for making money.
Die Hard
Moving ahead a decade, Die Hard was released in 1988.  Bruce Willis starred as John McClane, a New York police officer trapped in a Los Angeles building during a heist on Christmas Eve.  While everyone else had been taken hostage, McClane was moving around the building trying to subdue all of the thieves, one by one.  It became one of the pinnacles in action film history, causing all kinds of filmmakers to try and recapture its magic.

The success of Die Hard spawned a whole subgenre of action movies called “Die Hard in a…” movies where the stories would be similar to Die Hard, except in different locations.  Action stars who weren’t Bruce Willis tried their own versions of the Die Hard formula.  Steven Seagal had his two Under Siege movies.  One of them involved terrorists taking over a ship, and the main character had to take them down to save the other people on the ship.  The other did the same thing on a train.  Keanu Reeves was in Speed, where a terrorist took control of a city bus, and Keanu Reeves had to save the people in it.  There wasn’t the take down all of the terrorists element, but people still considered it Die Hard on a bus.

We’re now thirty years out from the release of Die Hard and movies still manage to come out that use similar concepts.  A few years ago, there were two White House based movies where terrorists took over and took hostages, and one person had to try and save everyone by taking down the terrorists.  White House Down and Olympus Has Fallen each found an audience, though only one of them got a sequel.  The Marine franchise even took a couple swings at the Die Hard formula, with the second movie being the closest to Die Hard.  Ted DiBiase Jr. was at a vacation resort when terrorists took over and took hostages.  He fought them one by one to free the hostages.  It was WWE’s Die Hard.

Comedic versions keep coming out as well.  Two Paul Blart: Mall Cop movies are out there, which basically put Kevin James into the John McClane role.  In the first film, he was the security for the West Orange Pavilion Mall.  When thieves showed up on Black Friday to steal credit card information, he took them down and freed the hostages they took.  In the sequel, he went to a security convention in Las Vegas and prevented an art heist while saving his daughter.  They aren’t the only Die Hard style comedies, though.  Earlier this year, Netflix released Game Over, Man!, an action comedy from the guys behind Workaholics.  Adam DeVine, Anders Holm, and Blake Anderson played three hotel employees who took down terrorists who took over the hotel.  It played on the raunchy side of things, but still had something in common with the Paul Blart movies: the Die Hard formula.

Die Hard has been influencing movies for thirty years.  Since its release in 1988, up until Game Over, Man! earlier this year, there have been movies coming out with the same formula as Die Hard.  Terrorists or thieves take hostages and one action hero must take them down to free the people in an action extravaganza.  What will be the next movie to come out with that concept?  Who knows?
Iron Man
The Marvel Cinematic Universe was born with the release of Iron Man in 2008.  After watching Robert Downey Jr.’s Tony Stark fight for his life and his company, audiences were brought into the credits.  Little did they know that Samuel L. Jackson’s Nick Fury was going to walk out of the shadows and tell Tony Stark that he was making a team, ushering in the Avengers era of superhero films.  This was a big moment for superhero movies, but an even more important point in Hollywood films as a whole.

Film universes had existed in the past.  The Universal monsters crossed over in some movies.  Kevin Smith was also doing his whole View Askew thing with Jay and Silent Bob in the 90s and 00s.  There had been universes before.  Even Transformers had a universe built with the Friday the 13th remake, since there was a character who appeared in both films.  Marvel wasn’t the first universe in movies.  It was the most influential, though.

Since the release of Iron Man and the success of every Marvel film after that, studios have looked in the direction of film universes.  Some of them have not come to fruition, but a few of them have graced the screens with varied amounts of success.  There were a few superhero universes that were attempted, with the DC film universe going okay right now.  That one is currently five movies deep.  There’s also the X-Men universe, which consists of all of the X-Men movies and Wolverine movies, as well as the two Deadpool movies.  Fant4stic was supposed to fit in there, but the critical and commercial failure of the movie, with the luck of it not tying directly into the rest, allowed Fox to just pretend it wasn’t a thing.

The biggest failure in the film universe world was the Dark Universe.  Getting personal here, I kind of liked what they were going for.  Universal was trying to bring back their monsters of the 1920s – 1950s in a new universe way.  This is the kind of universe that I would like.  It was horror, adventure, and had some interesting actors.  Minus the whole Johnny Depp as the Invisible Man thing.  I could have done without that.  Only one movie was made in the Dark Universe, 2017’s The Mummy, before everyone on the creative team jumped ship.  The Mummy wasn’t nearly as bad as people made it out to be.  It was a relatively fun film with some interesting universe building.  It didn’t go over well with most though, and the universe was discontinued.

As for other universes, there are some that have been rumored to be in development for some time now.  The one that comes to mind first is the Hasbro universe.  Hasbro wanted to cross over some of their big franchises, most notably Transformers and GI: Joe.  This would create some cross-pollination as Optimus Prime would now be able to fight alongside Duke, Snake Eyes, and the many other characters in those movies.  M.A.S.K., Micronauts, Rom, and Visionaries are rumoured to also be a part of the Hasbro universe.
Throughout film history, there have been certain properties that created a ripple effect throughout the industry and caused other, similar ideas to come to fruition.  Jaws, Star Wars, Die Hard, and the Marvel Cinematic Universe are only a few of the examples out there.  There are numerous others out there that could be discussed.  These were four of the most notable examples, and four that could tie into the Sunday “Bad” Movies.

Alongside these trends in film themes, there are also the instances of mockbusters, where companies try to associate their movie as close as possible to one coming out around the same time.  Metal Man hit the superhero trend, ripping right off of Iron Man.  Transmorphers did the same for Transformers.  These are a different breed of film though.  Whereas the inspired by movies are taking a story and using it as a basis to make something new that feels the same, the mockbusters try to trick people into thinking they are the same.  That’s two different mindsets that lead to similar end points.

Screwballs was the result of the popularity of Porky’s.  It wasn’t a mockbuster.  They weren’t trying to confuse people into seeing it by branding it as Perky’s or something of that nature.  It was another movie that could be seen alongside Porky’s as a sort of companion piece.  It was continuing the type of movie that Porky’s had popularized.  Maybe the filmmakers would get a little bit of money out of it.  That doesn’t matter now.  They were inspired by another movie, and that other movie created a trend.  That’s what matters.  Trends exist.  What will be the next?
And on that question, let’s get to the notes:

  • Movies that were mentioned in this post included Orca (week 144), Starcrash (week 1), The Marine 2 (week 30), Fant4stic (week 172), Metal Man (week 79), and Transmorphers (week 130).
  • Have you seen Screwballs?  What did you think about it?  How do you feel about the trends that happen because of the popularity of one movie?  Let me know in the comments.
  • Any suggestions about what I should watch for future Sunday “Bad” Movies weeks can be left in the comments or on Twitter.  I’m always trying to put some movies that I might not have thought of into the mix so that it’s not just me influencing what gets discussed.  Give me suggestions.
  • Sometimes, I will watch bad movies and share bits and pieces of them on Snapchat.  If you want to share in the bad movie fun, add me on Snapchat (jurassicgriffin).  Other things get shared there too.
  • I’m going to stick around 1983 for another week of the Sunday “Bad” Movies.  That’s right.  Two weeks in a row, the blog will be featuring a movie from 1983.  Next week, I will be writing something based on the film D.C. Cab.  See you next Sunday for that one.

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