Thursday, October 31, 2024

Looking Back - Top Ten First-Time Watch Horror in Sunday "Bad" Movies

Sunday “Bad” Movies began over a decade ago. I think it was late 2011 or late 2012 when I began my quest of watching one bad movie a week. The purpose was to highlight how the mistakes of the movies could give a clearer idea of what makes movies good or bad. I wanted to show that bad movies were more than bad movies. They were a way to learn about movies. They were a way to understand what it takes to make movies. It was a way to put some respect on movies that many people might throw away because they’re not respectable films.

I got away from that pretty quickly. Sort of. Sunday “Bad” Movies grew and changed over the years since I first wrote a post about Starcrash. But, no matter how far I got off that path of highlighting things in bad movies that could inform people about better movies, I always went back to one thing. I went back to giving respect to the disrespected. Aside from the, maybe, five movies that were so terrible I couldn’t bring myself to say anything good about them. That’s not the point of this post.

I’ve watched 650 movies for Sunday “Bad” Movies. A good number of those movies were pulled from the horror genre. Every October, I watched a bunch of horror movies for Sunday “Bad” Movies. I still watch horror movies for the blog every October. I just don’t watch as many because I don’t post as much anymore. Some of the movies have been better than others. Some weren’t as good, but were fun. That’s a lot of what I’ve heralded with all the bad movies. Fun matters. A movie can be bad from a technical standpoint. It’ll be forgiven for that lack of quality technical stuff if it’s entertaining.

What I want to do this Halloween season is go over my ten favourite horror movies I discovered through Sunday “Bad” Movies. There were a few rules I made for this. First off, it was a list of my favourites. It wasn’t necessarily the best. It was the ones I liked most. The second rule, and really the only other rule, was that they had to be movies I watched for the first time in Sunday “Bad” Movies. No Halloween franchise, no Friday the 13th franchise, no The Happening.

If I were to give some honorable mentions to movies I had seen before Sunday “Bad” Movies, basically my favourites I’d already seen that I then put into the blog, they’d be these. The Happening. Sharknado 2: The Second One. Sharknado 3: Oh Hell No! Jason Goes to Hell. Dead Sushi. Oh, and Tremors. Can’t forget Tremors.

Now we’re getting into the good stuff. The best stuff. My favourite stuff. My ten favourite horror movies that I’ve covered over the course of Sunday “Bad” Movies so far, that I hadn’t seen before featuring them in the blog. Let’s get it started with number ten.


10. Jesus Christ Vampire Hunter

There was a point early in watching movies for Sunday “Bad” Movies where I hadn’t seen too many new-to-me movies that were that special kind of bad movie. Sure, I started off strong with movies like Starcrash and Robot Jox hitting in the first ten weeks. In terms of horror, though, the closest I had gotten was either Big Ass Spider! or Chopper Chicks in Zombietown. Jesus Christ Vampire Hunter just went above and beyond them.

It was a low-budget Canadian movie about Jesus Christ teaming up with a Mexican wrestler to stop vampires from targeting the lesbians of Ottawa. Jesus Christ used martial arts to take down the vampires’ minions. There were musical numbers. There was a fight scene where a bunch of henchmen poured out of a van like it was a clown car. They just kept coming and coming and coming out of the van.

I had such a good time with Jesus Christ Vampire Hunter that I held it high as one of the best bad movies I’d seen for a couple years. I recommended it to friends over movies like The Room because they already knew the bigger bad movies. I rewatched it and loved it as much the second time. I bought a copy of it somewhere along the way. I’m about ready for another rewatch, too.


9. Gingerdead Man 2: Passion of the Crust

Charles Band has created some memorable low-budget B-movie horror villains since the 90s and one of the more memorable ones was The Gingerdead Man. Eebee, the Evil Bong, is up there, too. But the Evil Bong franchise hasn’t produced any movies as good as Gingerdead Man 2: Passion of the Crust.

This was a sort of meta-horror sequel to what was essentially a Child’s Play riff. A serial killer’s spirit was transferred into a gingerbread man, and he continued his killing. Gingerdead Man 2: Passion of the Crust saw the blood-spilling move to a low-budget B-movie studio as they made a new movie. It added something new to a franchise that felt anything but new in its first outing.

Something about Full Moon Features’s willingness to poke fun at themselves through this movie made it all that more enjoyable. It was like Scream 3, but without the late-production script changes. It was a takedown of a Full Moon type of studio, with some blood and murder added for fun. And, boy, did that work.


8. The Velocipastor

A pastor who could turn into a velociraptor? What more do you want?

Some people don’t like when a movie is intentionally bad. Take the Birdemic series, for example. Birdemic: Shock and Terror was brilliant in how it was played straight. The director thought it was going to be good and it wasn’t. But the heart was there. The two sequels didn’t have that heart because the director was intentionally making a bad movie to follow-up the success he first had. You might think that The Velocipastor was like that because it was intentionally bad. The difference, in my opinion, would be the effort.

The Velocipastor was intentionally bad, yes. I’m not going to say it wasn’t. There were things in there that were winks and nods to the audience watching a bad movie. The velociraptor is one of those inflatable T-rex suits. Obviously, they weren’t trying to be serious with this one. But there was a charm and effort put into the movie. They weren’t trying to make a bad movie in the sense that the movie was going to be bad. They were making a movie that played up the bad aspects, with the actual filmmaking skill still being there. It was a well-crafted horror-comedy playing on qualities of bad movies. There’s a fine line and they didn’t cross it into the bad bad territory. They were still on the good side of bad movies.

I hope that all made sense. I’ll try and summarize it quickly. When a movie is intentionally bad, there are two ways that’s done. One, someone sets out to make a bad movie and it feels false. They try too hard. Two, they set out to make a movie that seems like a bad movie. But they make it well. They try to make it good while playing up the bad. That was The Velocipastor. Insert explosion here and all.


7. Remote Control

There are times when the toughest movies to find are the ones that stick with you most. Remote Control doesn’t have an easy physical release to get a hold of and there’s not really a streaming option, either. Well, not your normal streaming option. You could, of course, sail the seven seas of the internet to check it out. I’m not saying that’s what I did, but I’m not not saying it.

Remote Control was a very 80s sci-fi horror comedy. A couple of guys working at a video rental store discovered a VHS tape made by aliens to mind-control the people of Earth. It was a meta-humour horror movie a decade before that became the big thing. The VHS tape was of a 50s sci-fi movie, while Remote Control was essentially a 50s sci-fi movie with an 80s setting.

This was a whole lot of fun. If you’re into the alien conspiracy sci-fi horror type of movie, Remote Control is all that and more. It got me as soon as I started watching it. It has stuck with me since. I don’t necessarily have the biggest amount to say about it, but what I can say is that it was good enough an experience for me to know it’s one of my favourites.


6. Jack-O

Few movies manage to capture whatever it is that Jack-O captured. The best way I could describe it is to say that it took the vibes of Troll 2 and placed them on a horror movie about blood feuds and Halloween. That doesn’t even cover the half of it, but at the same time, it manages to describe it well.

There was a kid. The pumpkin man came for him. The pumpkin man had been banished by the kid’s ancestor. Also involved was the kid’s babysitter. She was introduced into the movie in a nude shower scene. She was played by Linnea Quigley, so the nudity was par for the course. The babysitter tried to get her friend to babysit so she could go to a party, but the friend dipped with her motorcycle-riding boyfriend to go get beer. Also, the kid’s dad constantly flirted with the babysitter. Oh, it was Halloween. The kid went for a ride on babysitter’s friend’s boyfriend’s motorcycle, without a helmet on. The last important thing was a teacher who insulted kids for even wanting to trick-or-treat on Halloween got murdered by the pumpkin man for no real reason at all.

That’s so much stuff. That’s nowhere near everything in the movie. Things got more bonkers than any of that stuff. A kid got buried alive while muttering “nooooo” in the most unbothered way. A lady got electrocuted with a toaster, accidentally. There was some other lady secretly trying to hunt the pumpkin man who was connected to the kid’s ancestor. That was where the blood feud came in.

Jack-O was bonkers and I’m here for it.


5. Hansel and Gretel Get Baked

One thing I’ve championed the whole time I’ve written the Sunday “Bad” Movies posts is that originality isn’t in the story, but in how the story is told. Hansel and Gretel Get Baked was a prime example of that. It was a retelling of Hansel and Gretel, which might not seem like an original idea. But it was turned into a stoner horror-comedy. The witch grew pot. She lured people in with her marijuana instead of with a house made of candy. I found originality in that storytelling, even if the story was a story that had been told many times before.

Another thing that should be noted about Hansel and Gretel Get Baked is that Lara Flynn Boyle looked like she was having the best time playing the witch. Her performance drove a lot of the fun of the movie. Michael Welch was also pretty good through the movie as the non-stoner brother who needed to come to his sister’s aid.

Notice that word again? Fun. Most of my favourite horror movies that were part of Sunday “Bad” Movies were fun. They didn’t have to be the best. They didn’t have to be wholly original. They had to be fun, and that’s what this one was. I’ve seen Hansel and Gretel Get Baked a few times now, and never has it lacked the fun that I had the first time I saw it.


4. Another WolfCop

Okay, this one might break the rule of “didn’t see it before covering it,” but follow me here. I saw WolfCop for Sunday “Bad” Movies back when it first came out. Around then, at least. I saw it in 2015 and it was released in 2014. I saw the sequel when it was released in 2016, knowing full well that I would include it in Sunday “Bad” Movies. It just took a while for me to actually schedule it because I was making schedules at that point in the life of the blog.

The difference between this and, say, Dead Sushi was that I checked out Another WolfCop having already decided it would be part of Sunday “Bad” Movies. With a movie like Dead Sushi, I had seen it and decided later to include it, based on that initial watch. I think my intention allows me to skirt around the rule with Another WolfCop on a technicality.

Another WolfCop took everything that the first movie had and turned it up to 11. Jonathan Cherry was back as a goofy best friend. Instead of someone discovering they were now a werewolf and dealing with that, Jonathan Cherry learned he had an alien parasite living in him. The villains were aliens instead of werewolves. There was another sex scene. Instead of it being a werewolf and a woman, it was between a werewolf and a werecat. There was a bunch of hockey, some Kevin Smith, some Gowan on the soundtrack and some Gowan on screen, and Yannick Bisson having the most fun he could have as a villain. This was a Canadian horror-comedy through and through. WolfCop might have had a better story, but Another WolfCop amped up the fun factor.


3. Killer Condom

I knew about this movie as I grew up. It was before I got my full interest in movies. I was a kid who watched movies to fill time, not to watch movies. The rise of the internet while I was growing up led me to, somehow, see the trailer for Killer Condom. I’m not sure how or where because I think it was before YouTube, but I saw the trailer. My brother and I used to joke about watching it without ever watching it.

Then I made Sunday “Bad” Movies when I was in my twenties. Eventually I was going to get around to Killer Condom. The idea. The name. It was a perfect movie to watch. Even if it was terrible, there would be something redeeming about it. Well, it surpassed by expectations. By a lot, actually.

Killer Condom was a German neo-noir horror comedy. I think that’s how it would be classified. A gay detective investigated a murder at a seedy New York hotel, only to discover that the culprit was a condom monster. Along the way, he fell in love with a male prostitute, while trying to avoid the advances of a trans woman singer. Everything about the movie clicked. The themes, the story, the acting. I really don’t have a bad thing to say about Killer Condom. It’s one of two movies on this list that I would call perfect. And it’s number three.


2. Blades

Here’s the other perfect one. How can a movie that’s not perfect be above this one? You’ll understand when I get there. As for Blades, you essentially got a Jaws knock-off in the most ridiculous way possible. Gone were the beaches of Amity and the shark. In their place were the eighteen holes of a country club and a possessed lawnmower. How could you not love a retelling of Jaws in that setting, that actually made it work?

The thing that really helped Blades exceed anything you would expect from a movie like this was that it played things straight. Aside from one scene that had someone dressed like Jason Voorhees, that is. The whole movie was played without people winking at the camera. It was played without forced jokes being inserted to make sure people laughed. The whole movie was a joke in that they were seriously battling against a lawnmower that was killing people at the country club.

It stuck as close as it could to the story of Jaws. The new golf pro was your Brody surrogate. His assistant was the Hooper surrogate. The groundskeeper was the Quint surrogate. His van was the boat. The groundskeeper had a story about the lawnmower in the past, just as Quint had a shark story. They kept track of the lawnmower with balloons, like they used the barrels in Jaws. There was even a mob of people who went hunting for the lawnmower. They found the wrong lawnmower, which the golf pro and his assistant realized by cutting open the lawnmower’s bag and checking what was inside.

The other thing I want to mention was that the whole story was essentially the same. I’ve listed a bunch of story beats, but the overall story was the same, too. The country club was going to host a golf tournament. The golf pro and the assistant wanted to close the golf course until they found the lawnmower, but the owner cared more about the money than the safety of the people. This mirrored the Jaws story of Brody wanting to close the beach until the shark was found, while the mayor wanted to keep the beach open to make that long weekend money.

What they did when they made Blades was perfect. It was a perfect movie. Aside from, I guess, the inclusion of a Jason Voorhees looking character in one scene. I don’t know why that was there. It made the Jaws parody feel that tiny little bit like a Friedberg/Seltzer spoof. Otherwise, it was a straight parody where they took the exact story and put it in another, ridiculous, setting and that was the whole joke. It worked so well it got to my number two spot.


1.
  Elves

Like I said, the number two and three movies were movies that I thought were perfect. In terms of horror movies I’ve covered for Sunday “Bad” Movies, I mean. The number one movie was not perfect. Not in any way whatsoever. That didn’t keep it from being my favourite horror movie I’ve seen through all of Sunday “Bad” Movies.

You see, Elves was the most insane movie I’ve seen in all of Sunday “Bad” Movies. That’s including movies I’d seen before, and every movie outside the horror genre. Elves topped all of them. Every time you thought you had seen the craziest thing, something else would happen to top it.

Let me start at the beginning. The main character had a shower. Her brother spied on her. She confronted him and he said he liked her big tits and he was going to tell everyone about them. About a minute later, the elf showed up and attacked the brother, who called it “a fucking little ninja troll.” This kid was like eight years old. Next thing you know, the main character was at work at a department store. She sat on the store’s Santa’s lap and the Santa rubbed her leg saying he wanted her to give him oral. She got fired for slapping Santa. He didn’t get punished at all for the sexual harassment. Then her mom took all the money from her bank account and killed her cat. Oh, and her grandfather was her father through incest, and was also a former Nazi.

The mall Santa was killed by the elf while snorting coke. He was replaced by a former police officer played by the guy who played Grizzly Adams. This guy at one point said “A pack a day keeps your lungs nice and grey” while smoking a cigarette. He got involved in the elf story when he snuck into the department store at the same time the main character and her friends snuck in. Nazis broke into the store and killed two of the main character’s friends. New Santa started investigating what was happening, which led to him barging in on a professor’s family Christmas dinner, and diving from a car when a bomb fell out of the glove compartment.

Even the climax had its crazy moments. The elf was created to have sex with the purest-bred German virgin, hence the incest. If it impregnated the main character, it would create the master race. The main character could only defeat it by smashing a crystal into the ground or something. She and her brother fled from Nazis into the woods. She sent the brother back to their house to creep over dead bodies to get the crystal. Meanwhile, the elf tried to rape her. And it might have, based on the end credits. They rolled over what looked like a womb with a growing fetus.

I don’t know how this movie got made. I really don’t. Many parts of it felt like they would never make it into any movie, let alone all of them being in the same movie. There was no reason for any of it to happen, yet it all did. Elves went beyond anything I could have imagined and I’m not sure how any movie could top the experience of watching it. Elves shouldn’t exist. Yet it does.

 

 

It can be tough to remember every movie I’ve seen for Sunday “Bad” Movies over the past twelve or so years. There have been 650 movies featured, and I’ve watched a lot of stuff not for the blog. It’s not quite as difficult to whittle things down to my ten favourite horror movies. I haven’t liked all the movies. I don’t remember too much of some. That created some easy cuts.

However, I have enjoyed more than ten of the horror movies I’ve watched. As I said to start things off, there were a bunch of horror movies I had seen before. I didn’t include those, or most of my list would be them. The Happening, Tremors, Dead Sushi… To be completely honest, I forgot I had seen Dead Sushi before including it in Sunday “Bad” Movies and had it in my top ten until I realized. Oops. That’s what I mean, though. The whole list could just be movies I rewatched for Sunday “Bad” Movies and they would be as good as what I included in this top ten.

My hope is that some people, whoever made it through this post, might give these movies a shot. They’re all worth checking out, for what they do or what they are. Do you want quality? Check out Blades. Do you want Canada? Check out Another WolfCop. Do you want pure insanity? Elves is for you. Each of these movies are worth watching for their own reasons.

That’s the magic of Sunday “Bad” Movies. It’s not about putting the movies down. This blog is, normally, about finding the good stuff in movies that people would typically find bad. It’s about finding a way to enjoy something that people might think isn’t worth the time. I like to find the light in the darkness. You think a movie might be dumb? I think it might have some things going for it. I’ll tell you what those things are. I’ll promote those movies. That is the Sunday “Bad” Movies way.

Sunday, October 27, 2024

Bearry (2021)


For a movie to resonate with an audience, it must do one thing: relate to them. Think about it. You become more interested in a story if it provides the smallest amount of connection between you and the characters. It could be slashers geared toward horny teens where the villain goes after anyone who even thinks about getting freaky in the sheets. It could be a workplace comedy filled with exaggerated versions of people you know from your job. Two of the most common relatable traits that make their way into movies are love and loss.

Everyone has experienced the highs and lows of these emotions. That unrequited first love. The moment you finally share your feelings with someone. You’ve gone through it. I’ve gone through it. And loss? That hits even harder. Many of my favourite movies dealt with loss in some way or another. Loss of life, loss of innocence, loss of control. If a character loses part of their life, part of what makes them feel whole, the audience relates to it. The audience understands. The audience has experienced loss. It builds the connection between seats and screens.


Bearry
put both those emotions together to tell a horror comedy tale. Chloe (Sarah French) told her husband, Andrew (Kevin Caliber), that she loved him. He immediately demanded a divorce. Her friend, Sam (Felissa Rose), gave her an adult-sized teddy bear to cheer her up. As Chloe rejoined the dating pool, she became the prime suspect in a series of grizzly murders. Murders committed by her bearry good friend.

There was some big loss within Chloe’s love life. She had a stable marriage that she thought wasn’t in any danger of dissolving. Andrew, however, felt differently. She lost that stability. She lost the way of life that she thought had been built between herself and Andrew. As the movie went on, she lost people she knew due to murder. She lost her freedom as she was pursued by the police and, later, Bearry.

Among all that loss was a whole bunch of love. Bearry was about finding someone new following a big breakup. Well, sort of. It was mostly about a jealous, murderous teddy bear. The romance was a part of it, though. Throughout the movie, Chloe went on various dates set up by Sam and their other friend, Luis (Charles Chudabala). Most of them were bad. They were put into the same sort of speed-dating style montage that has been in many a romantic comedy. Weird guys. Creepy guys. A stalker who followed Chloe home before being killed by Bearry. The horror story was in the background through most of the dating stuff, only coming to the front for the stalker and when Chloe realized she liked the restaurant manager more than any of her dates.


Love was the main emotion in Bearry. The divorce was the loss of love. The dates were the attempt to find love. Bearry killed people who came in between his loving feelings for Chloe. It all came to a head when Chloe and the manager, Stephen (Thomas Haley), shared their feelings for each other. Bearry was jealous of their connection because it meant Chloe wouldn’t love him quite as much. He wanted to be the object of her affection, and it drove his actions. I keep gendering the teddy bear as a he/him because that was how they treated the bear in the movie.

Each of these forms of love can be relatable to the audience. Many people have fallen out of love with others or had others fall out of love with them. That connects them to the divorce story. People might struggle to find people who they vibe with, in the same way Chloe struggled to find the right man on her dates. People could have feelings for someone, only for that someone to fall in love with someone else. That would relate people to Bearry’s plight. Sam and Luis caring too much about Chloe’s love life. Andrew being an emotionally abusive ex-husband. Feeling like your love could be ruined by a jealous, murderous teddy bear. Those were all relatable.

Of course, that’s not to say Bearry was a good movie. There’s a reason I included it as part of Sunday “Bad” Movies. It was a movie with a killer teddy bear. Even if this were an art film, people would probably still look at it as an insane, bad movie. But it’s not an art film. The acting wasn’t good enough for it. The cinematography wasn’t good enough for it. The direction wasn’t good enough for it. The highlight of the movie was a shot that looked like it was setting up for an homage to Psycho. Guy in the shower. Shadow of the bear through the curtain. Perfect reference to the shower scene. Only, the curtain opened, and the guy was cut down with a chainsaw. It was over the top. It was ludicrous. It was Bearry.


Love and loss have been the driving forces behind many stories. Action movies frequently have the hero winning over the affection of someone they save. Romantic comedies are a whole subgenre of their own. The “elevated horror” of recent years has often dealt with loss and grief as the result of trauma. Why? Because people relate to these emotions as much as, if not more than, any others. These emotions keep people coming back. Repeat viewings. Because they’re relatable.

Gone are the days of the simple slasher where audiences are there for the kills more than the connection to the characters. Okay, mostly gone. The Terrifier franchise still exists. Characters have more depth, more emotion. Audiences feel more at home with these characters. They understand them. They feel their pain. And with that, the audience becomes more invested in movies. All because people can relate. It’s a basic idea that goes a long way.


Here are a few notes to round things out:

  • Felissa Rose is already back for another Sunday “Bad” Movies appearance. I swear this was unintentional. She appeared in Sleepaway Camp, Sleepaway Camp IV: The Survivor, Return to Sleepaway Camp, and Stream for the blog. Now she’s in Bearry, too.
  • The only other returning actor in Bearry was Noel Jason Scott, who previously appeared in Lavalantula.
  • Have you seen Bearry? What did you think of it? What are your favourite ways to connect to characters in movies? Share your thoughts in the comments, find me on Bluesky, or let me know on Threads.
  • Any suggestions for future Sunday “Bad” Movies are welcome. You can hit me up on Bluesky and Threads, or you can leave a comment.
  • I already know what I’ll be covering next. The next post will be a post with multiple movies. I’ll be tackling a franchise called The Substitute. I think it started out as one of those teacher-cleans-up-gang-problem-at-school movies, but I could be wrong. I’ll find out soon enough, I guess. It spawned three sequels, anyway, and I’ll be checking all four movies out. See you whenever I get that post up in the next month.