Friday, April 10, 2020

Sunday "Bad" Movies - Year Seven Top 10 Favourite Movies


I’ve been writing the Sunday “Bad” Movies blog posts for over seven years. It all began in December 2012 with the post for Starcrash. Since then, the blog series went through many transformations. It started as a poll each week to choose a movie I would write about. I soon put that aside and started scheduling out the movies, with suggestions thrown in. Every tenth week became a week where I would check out multiple movies from a franchise. I did reviews every week, for a while, before deciding to write whatever I felt like writing. I tried to make a format for each week, which lasted a week or two before I felt it didn’t work. And everything moved from one blog to its own blog. Those changes were all within the first two years.

The movies that I’ve covered have varied drastically in quality. Some of them have been big budget movies that just didn’t work. Others were low budget flicks that may not have had the talent to be good, but still ended up being a bunch of fun. Some were intentional B-movies, while others were too serious for their own good. Some I liked and some I didn’t. This post is about the ones I liked.

Week 315 marked the beginning of the seventh year of the Sunday “Bad” Movies. I was coming off one of the craziest months of my life, which would change everything for me. I’m not going to get into that right now. The seventh year concluded on week 366, with the yearly rewatch for the anniversary. Like any year, there was stuff that I liked and stuff that I didn’t. This post will be covering my top ten of the seventh year. Here we go.

10. Cool as IceWeek 348
There have been many instances of musicians moving into acting. There have been many instances of rappers moving into acting. There has only been one Vanilla Ice who moved into acting, and Cool as Ice was his big moment to shine as the star of a movie. It didn’t really work out.

The dialogue was laughably bad, with lines like “Words of wisdom: drop that zero and get with the hero.” The action wasn’t great either. There was once scene where he jumped a motorcycle in front of a horse, causing the horse to throw its rider, the love interest. And, of course, Vanilla Ice did some rapping. That part wasn’t so bad because I quite enjoy the cheesy rapping of one Robert Van Winkle.

None of it was bad in an offensive, I truly hate this, kind of way. It was one of those enjoyable train wrecks that ended up being as entertaining as something well done, but for different reasons. Vanilla Ice would go on to feature in a bunch of other movies, including some of the 2010s Adam Sandler stuff, but Cool as Ice was the one time he got to headline a movie. It has become a moment in history, a part of the short superstardom of Vanilla Ice.

9. Gotcha! Week 357
When I schedule movies to be a part of the Sunday “Bad” Movies, there are a few different things I look for. First and foremost, the movie should have a reputation of being bad. I wouldn’t want to include something with high critical praise and a bunch of prestigious awards because that wouldn’t quite fit the “bad” moniker. Direct-to-video comes up a bunch, as does low budget. Sometimes I look for things with a semi-unique gimmick as well.

I initially chose Gotcha! for the Sunday “Bad” Movies on the premise of it being a paintball movie. There was a little bit of paintball involved, sure, but it definitely wasn’t the paintball movie that I expected. Instead of paintball, I got a cold war espionage romance. A college kid went to Europe. He fell in love with a woman who took him on a trip to Berlin. When they crossed into East Germany, she was taken by some nefarious fellows. She slipped something to the college kid that he then smuggled back to West Germany before being chased back into East Germany and playing a bunch of flip flopping of borders.

Gotcha! wasn’t as bad as most of the movies in the Sunday “Bad” Movies. It was better than many of the 1980s movies that I’ve watched as part of this blog. There were still some questionable choices, though, like ending the movie on the main character shooting a college girl in the butt with a tranquilizer dart when she wouldn’t go on a date with him. That’s not the best. All in all, though, it was a decent spy movie and maybe not the typical bad for the blog.

8. The Mating Habits of the Earthbound HumanWeek 362
This was another one of those unique movies where the gimmick hooked me into including it as part of the Sunday “Bad” Movies. I don’t remember how I heard about the movie, but when I found out what the conceit of it was, I knew that it needed to be included. If it wasn’t included, I would regret leaving it off the schedule. That’s how much the unique aspect spoke to me.

It followed the burgeoning romance of a man and a woman from their meet cute until they birth their first child. The thing is, it was framed like a nature documentary. The people were treated like wild animals. The narrator was a documentary narrator, using technical terms to describe the humans and everything they did. He was shocked that they would use contraception while having sex. He wanted the male to impregnate the female, as would happen with sex in any other species.

The actors played into their animalistic nature with some slapstick comedy. They would eat like animals even though they were in fancy restaurants. Things like that were frequent throughout the film to make it feel more like a narrator speaking about animals. This was a human relationship presented as though they weren’t humans. And I enjoyed every minute of the idea.

7. Santa’s Little HelperWeek 315
The year kicked off with a movie I had seen before and enjoyed before. Mike Mizanin, also known as The Miz, starred as a corporate jackass who got fired from his job. He ended up being selected by Santa as a candidate for the Santa’s Little Helper position and had to go through a bunch of trials to determine if he was still a good person at heart. It also featured Paige, making it a double team of WWE stars.

I quite enjoy The Miz as a movie star. He has the charisma for comedy and the presence for action. This one was no different. He hammed it up enough as the character to make the family comedy enjoyable. He was able to play the tough jackass at the beginning and then lighten up to become the friendly family type guy at the end. The supporting cast were all pretty good too. It’s just a nice little Christmas comedy that I’m sure only I would consider a classic.

6. God’s Not Dead: A Light in DarknessWeek 319
I’ve written about this one a few times now. One was the original post, and there were a couple times it was brought up in other posts. This was my favourite God’s Not Dead movie. It changed things up and flipped things on their heads. The first two placed the Christians in a victim role, while trying to establish Christianity as the only right belief system. The third installment ended up finding compromise. Christianity wasn’t going to go away, by any means, but it was going to leave room for other people to believe what they wanted. There was room for different belief systems. They could all be a part of the world.

Putting David A.R. White up front and center for this message was an inspired choice that worked. He was a good leading man for the franchise’s third outing and helped to sell the message through forgiveness and compromise. There’s something about his presence that, although he’s not the best actor, he’s able to bring the audience in and keep them invested in what he does. His supporting roles in the previous two films were the best parts of those movies. Having him jump to being the lead was a good choice for the franchise, moving forward.

5. Dudley Do-RightWeek 336
I like when a movie feels like a live action cartoon. The situation feels like an animated children’s show. The actors play right into the slapstick nature of it. The characters become animated in the way they act and the way they talk, which works for a live-action version of animation. The world doesn’t feel like the real world at all. It feels like a cartoon world, brought to live with real people and places.

I enjoyed it in Baby’s Day Out and I enjoyed it in Dudley Do-Right. To be clear, I know that this did get adapted from a cartoon that was a part of the Rocky and Bullwinkle animated series. Brendan Fraser was the perfect person to come in and play the character with the cartoonish physicality and personality that was required. Alfred Molina was clearly having a ball as Snidely Whiplash, the over-the-top villain. If you go in expecting a serious comedy, you’ll be disappointed. If you go in wanting a live-action cartoon, you’ll have a blast. That’s all there is to it.

4. PottersvilleWeek 316
There have been a few movies, over the course of the seven years, that I’ve watched twice while planning to write about them. This was one of those movies, and that’s not including the time I had seen it a year or two before. I watched it by myself the week I was going to write about it. Then I told a friend that they should watch it. They then turned it on while I was at their place and fell asleep. I was left watching it for the second time that week by myself. That’s not too big a deal since I really enjoy the movie.

It has a surprisingly good cast for a movie about a friendly shop owner finding out his wife is a furry, getting drunk and putting on a gorilla suit, and being mistaken as bigfoot by the citizens of his small town. It had the small-town sensibilities of classic Christmas flicks, while also having one of the most absurd plots of a family Christmas comedy. Heartfelt and gut-busting. I’d be happy to put this into my annual Christmas rotation.

3. Snow DogsWeek 322 and Week 366
Once in a while, an anniversary rewatch ends up being one of my favourite movies that I watched for the Sunday “Bad” Movies. Actually, that usually happens. This is the fifth time. Five out of seven seems more like it happens most of the time than once in a while.

Snow Dogs was a movie I saw many times when I was about 13. Maybe nostalgia played into me liking it so much in year seven. There’s something about a movie that you enjoy when you are young where you’ll keep enjoying it, regardless of quality, as you get older. That could have played into how much I liked Snow Dogs. But I think it was more than that.

There was a slapstick filled fish out of water story where a Miami guy tried to learn to dogsled because he recently found out it was in his blood. There were dogs messing with the guy because they didn’t respect his city guy attitude. There was also a romantic relationship that I actually cared about. The tone of the movie just works for me, okay? Let me have this one. I like this movie.

2. Hard Ticket to HawaiiWeek 352
This was one of those movies where, as soon as I saw it, I knew it was a classic bad movie. There are certain elements that go into the action movies that didn’t quite make the mainstream in the 1980s and 1990s. This was a movie that featured most of those elements.

Andy Sidaris had gotten a bunch of Playboy models together to star in an action movie set on Moloka’i. One of the characters couldn’t shoot a moving target unless he had a rocket launcher. He used the rocket launcher to blow up a dangerous man on a skateboard holding a blow up doll and a gun, then to blow up the blow up doll. People were getting naked for no other reason than to get naked. They wanted to talk plans to take down a gang? They did that topless in a hot tub. One guy killed another with a frisbee covered in razor blades. There was an interview with football players that got racy. A woman turned out to be a man that was spying on the other women. There were sex scenes. Oh, and there was a giant, poisonous snake that got loose and started killing people.

It was an insane movie. Everything was thrown at the walls to see what stick. If it didn’t stick, Andy Sidaris was there to throw it again and make sure that it eventually stuck. That wasn’t too big of a problem, though. Most of it stuck anyway. It was the perfect kind of insane that made it one of the most enjoyable flicks all year.

1. TremorsWeek 360
Tremors is one of those movies that has been in my life for as long as I can remember. It’s part of the reason that I enjoy horror movies as much as I do. Alongside some of the children’s horror shows that were big on TV in the 1990s, Tremors brought the terror into my life in a way that wasn’t overly scary. And there was good reason for my parents to introduce me to this one at a young age.

It’s a good horror comedy B-movie. Kevin Bacon and Fred Ward were the perfect duo to guide audiences through an attack by giant worms that were sensitive to sound and vibrations. Michael Gross and Reba McIntyre were great as the doomsday prepper townies that provided the weapons to try and fight the creatures off with. The rest of the cast was great, too. It was the smallest of small desert towns. Every character felt important. Add one of the greatest “Fuck you” moments in all of cinema and you have a great popcorn flick.


The seventh year of the Sunday “Bad” Movies featured some of my favourite movies to ever be featured. Sure, four of the top five were movies that I had seen before adding them to the Sunday “Bad” Movies schedule. I had a history with them. That doesn’t mean they can’t be among my favourite movies that I’ve watched for the blog series. They still managed to stand out among everything else based on their own merits. The way they spun the common bad movie tropes, or subverted them, made them something special. There was a reason they were included in the schedule.

When I started the Sunday “Bad” Movies, I never could have expected that I would still be writing these posts more than seven years later. I didn’t not expect it, but I didn’t expect it. It just kind of happened. Every week, I write another post. They add up. Eventually I get to a year. I get to two years. Soon enough, I’ll be at ten years. That’ll be something. And throughout that entire ten years, there will have been some great bad movies and some terrible bad movies. What will I have learned from it? Lots. I’ve learned a bunch watching the ones I’ve already seen. And I’ll never stop learning from them. I might eventually end this blog series, but I’ll never stop learning from movies, both good and bad.

To those of you who have been reading this blog, thank you. Whether you started reading when I started writing, or more recently, it means something to me to have anybody reading any of this. I type out all these words and throw them into the ether for others to see. Part of it is for myself. Writing is a kind of therapy for me. It helps me get some of my thoughts onto a page so that my mind isn’t stirring with an abundance of everything all the time. But I like to think that other people get something out of it, too. That would be nice. Thank you to anyone who takes anything away from this.

That brings the post to a close. I went over the seventh year of the Sunday “Bad” Movies in some detail. I wrote about my ten favourite movies I checked out from the blog over that year. I thanked the people that read the blog. Now I must look forward to the eighth year. I’m already almost half a year into it. There have been some solid movies. Check out the other posts if you haven’t already. I’ve written a few good ones in there. And I’ll see you soon with this week’s post.

Sunday, April 5, 2020

3 Musketeers (2011) and a Very Shallow Look at Copyright and Public Domain


Intellectual property. This is a term that, ideally, would encompass any creative idea that a person has. It would make that idea the property of the person that came up with it, allowing them to be the sole decider of what happens with that idea. That isn’t always the case, which is why copyrights, trademarks, and patents exist. They make intellectual property a legal form of property through government authorized paperwork. Any ideas that don’t have that authorization could be considered public domain.

Public domain means that the public, in general, owns the rights to that idea. The idea could have come to fruition before the intellectual property laws were put into place, or the amount of time in which the idea was covered may have lapsed. When something is in the public domain, anybody can use it. There could be numerous different versions of an invention if that invention is in the public domain. A company could use a public domain character to help sell their product. In the case of movies and television, public domain can lead to many adaptations of the same story, or many distributors putting out the same movie.
Classic stories get retold time and time again because they fall under the public domain. Hansel and Gretel is a good example of this phenomena. Back in 2013, there were four different film versions of Hansel and Gretel released. The only reason they could do this was because of the public domain. There was copyright on the individual films, meaning that Hansel & Gretel: Witch Hunters and Hansel & Gretel Get Baked couldn’t be the same movie. But when it came to the core elements, those could be the same. All four movies could tell the story of Hansel and Gretel and the witch that tried to eat them.

Most public domain stories don’t get adaptations at quite that frequency. When they do, however, there need to be some different details within them. A studio can copyright their version of the story, which would mean that similarities to that version would infringe upon that studio’s movie. This is where The Three Musketeers comes into play.
Alexandre Dumas wrote The Three Musketeers in 1844. It followed the adventures of d’Artagnan when he went to Paris to join the Musketeers of the Guard in the 1620s. Three of the Musketeers take d’Artagnan under their wings and teach him to be a formidable fighter in his own right. It was followed by two other books, titled Twenty Years After and The Victome of Bragelonne: Ten Years Later. They were written between 1845 and 1850, with the final book being 268 chapters serialized from 1847 to 1850.

Since the tales were written in the 1840s, they have been in the public domain in the USA since the early 1900s. That has allowed a multitude of adaptations to be made on stage and on screen. They weren’t only adaptations of the first novel. The Victome of Bragelonne: Ten Years Later included the tale of The Man in the Iron Mask, which has also been adapted into films. There have even been prequels and sequels made to the original works since anyone can do what they want with The Three Musketeers.

That said, one studio can’t make the same exact movie as another studio. Under copyright law, when someone sets out to make an adaptation of The Three Musketeers, they can copyright their version of the film. That leads to every adaptation feeling markedly different from the other adaptations, unless a studio is remaking their own. With the differentiation, some interesting choices get made to set the versions apart from one another.
Take, for example, the two adaptations that came out in 2011. There was the big budget, Paul W.S. Anderson helmed film The Three Musketeers. There was also the mockbuster directed by Cole S. McKay, titled 3 Musketeers. Each one had to be different to avoid infringing upon copyrights. They also had to feature different elements than any of the adaptations that had come before. It would avoid copyright and justify adapting Dumas’s novel once again. This led to both 2011 versions to stand out as some of the most unique versions of The Three Musketeers.

The Paul W.S. Anderson film turned the historical story into a bombastic, 3-D action adventure with lots of death-defying action and flying ships inspired by Leonardo Da Vinci’s blueprints. It was clearly inspired by steampunk and the swashbuckling nature of the Pirates of the Caribbean movies, going so far as to cast Orlando Bloom as one of the villains. Action of this large scale had never been seen in a Three Musketeers adaptation, making this one be the definitive big budget, effects filled version of the tale.

That same year, Cole S. McKay presented a modern version of the story in a different way. Instead of using modern effects, the story took place in the present day. 3 Musketeers showed D’Artagnan (Heather Hemmens) working as an agent of the NSA. She wanted to move up in rank, so she took on a mission that put her in contact with a special team of agents called The Three Musketeers. She worked with Athos (Xin Sarith Wuku), Porthos (Keith Allan), and Aramis (Michele Boyd) to unravel a conspiracy that would lead them to the person using the codename Cardinal.

The basic story was still there. Athos, Porthos, and Aramis were still the Musketeers. D’Artagnan was still joining them. They were still going up against the Cardinal. Some things needed to be changed, however, to separate itself from the other versions that were out there. The film definitely couldn’t be the same as the bombastic, big budget one that was coming out. The Asylum would have been sued had they released the same movie. The difference would be the setting. Instead of seventeenth century Europe, 3 Musketeers was set in the modern-day USA. There was still political intrigue in there. It was just modern-day spy political intrigue, rather than renaissance era king and cardinal intrigue.
The ability that people have to make so many different versions of the same story boils down to the public domain. The story of The Three Musketeers is part of the public domain, so anybody can use it for whatever they want. Studios have a copyright of their specific version of the story, but they can’t copyright the story itself. They can only make it their own and hope that people like their new version. Sometimes people do. Other times people don’t.

As time goes on, more things will end up in the public domain. Copyrights only last for a certain amount of years before they become public property. Then people will jump on the chance to make their own versions of those characters, stories, and ideas without needing to get permission from someone else. That will lead to innovation. It will lead to the stories being told in strikingly different ways. It will lead to entertainment, good or bad. And that’s all we can ask for: entertainment.
Here are some notes that I hope will be entertaining:

  • Hansel and Gretel Get Baked (week 38) was mentioned in this post.
  • 3 Musketeers featured Gerald Webb, a regular of movies produced by The Asylum. His other movies include 2-Headed Shark Attack (week 7), Sharknado 2: The Second One (week 190), and Mega Shark vs. Crocosaurus (week 300).
  • Andy Clemence returned to the Sunday “Bad” Movies for his third appearance this week. He was previously in Rise of the Zombies (week 16) and Bermuda Tentacles (week 96).
  • Simon Rhee made his third appearance in the Sunday “Bad” Movies in 3 Musketeers. He had already shown up in Alex Cross (week 12) and Kung Pow: Enter the Fist (week 234).
  • Kane Hodder is known for playing Jason Voorhees in Friday the 13th Part VIII: Jason Takes Manhattan (week 294) and Jason Goes to Hell: The Final Friday (week 85). He showed up in 3 Musketeers.
  • Keith Allan and Heather Hemmens both appeared in Rise of the Zombies (week 16) and 3 Musketeers.
  • Steven Williams, who starred alongside Kane Hodder in Jason Goes to Hell: The Final Friday (week 85), appeared in 3 Musketeers.
  • Andrew Ravani was in 3 Musketeers. He was also in Nazis at the Center of the Earth (week 73).
  • Darren Anthony Thomas returned from Bermuda Tentacles (week 96) to be in 3 Musketeers.
  • Alan Ranchins was one of the main bad guys in 3 Musketeers. He was previously seen in Showgirls (week 170).
  • Did you recognize Timothy Ingles in 3 Musketeers? You may have seen him in Mega Shark vs. Crocosaurus (week 300).
  • Another Mega Shark alumnus was Edward DeRuiter, who was in Mega Shark vs. Kolossus (week 300) and 3 Musketeers.
  • Athos was played by Xin Sarith Wuku, who was also in Attila (week 321).
  • Finally, Carl Ciarfalio was in 3 Musketeers after already appearing in The Incredible Hulk Returns (week 335).
  • Have you seen 3 Musketeers? Have you seen any adaptations? Was this a giant post about nothing really? You can be honest. Let me know on Twitter and in the comments.
  • If you have a suggestion for movies I should be checking out, those two places are good ones to tell me about them. Your suggestions will likely end up in the next bunch of scheduling I do.
  • Head on over to Instagram and check out Sunday “Bad” Movies. I’m always posting something over there.
  • Easter is next week, so I scheduled something a little special for it. It’s not a bunny movie. Nope. I went back to a religious film for next week. I think I found the perfect one, too. Miracle Man, a 2013 film, will be the subject of next week’s post. I’ve already seen it, and I can tell you that it is an insane movie. I should have a lot to write about. See you next week for that post!