Books, books, books.
They’re like movies, but the visuals are in your imagination. What you read comes to life in your head
instead of on a screen. The author comes
up with a story and lets you come up with what it looks like. Well, aside from picture books. That’s a whole different thing, though. Let’s stick to words.
The reason I’m writing about books is that I recently read
one that pertains to the Sunday “Bad” Movies.
That’s right. Nearly four years
since writing about a book called The
Disaster Artist, which was about Tommy Wiseau and the making of The Room, I’m going to be writing about
another book that is related to a different movie. There’s a little bit more before getting to
the book, though.
I spent the opening of this post talking about visualizing
the story in your head. But there are
some books where the story has been visualized for you. They’re called novelizations, which are books
based on movies or television shows.
They retell what has already been brought to screen. A wide array of movies have had novelizations. In fifth grade, I read a copy of Back to the Future III. A few years ago, I read a novelization of The Abyss. Now I have read a novelization of the movie Catwoman.
For the most part, the book was very close to the
movie. It had all of the same irritating
aspects. Catwoman was one in a long line
of Catwomen that existed throughout time.
Patience had the relationship with the detective who took way too long
to figure out that she was Catwoman. The
dialogue was just as terrible as it was on screen. I appreciated the story a little bit more because
I understood the potential of the villain as a threatening force, but that didn’t
make Catwoman any better.
What helped was a series of chapters that weren’t in the
movie. Not because they were chapters in
a book and the movie didn’t have chapters.
There were three chapters that detailed information that was not present
in the movie. I’m going to go over those
three chapters in an attempt to share how they helped the story.
First, let me set up the chapters themselves. When Patience was resurrected by the cats,
she sought out some help. She ended up
confiding in a woman named Ophelia Powers (I just realized that the woman helps
Patience harness her powers and her name is basically “oh, feel your powers”). The woman gave Patience a book. The chapters that will be described were
excerpts from the book. They were
different tales of people whose lives had been changed by cats.
Chapter Seventeen – The Lady of the Beasts
This chapter tells the story of a Minoan servant named
Aktana who served a selfish woman on an island.
That woman bossed people around in the name of a Goddess, yet didn’t
respect the Goddess. When a volcano
erupted, Aktana fled the island under the urging of a “sand-cat.” She hid with the cat’s owner in a storage
building on another land while the volcanic debris fell around them.
The title of the chapter came from the Goddess, who was
known as The Lady of the Beasts. The cat
seemed to have been sent by the Goddess to save a strong woman who was being
undervalued and put in the path of danger.
This lined up with the background of Patience becoming the
Catwoman. Her hard work at her cosmetics
advertising job went unappreciated. She
had stumbled upon the higher-ups being evil, like the woman Aktana was serving
being disrespectful to the Goddess. She
had been killed for her devotion to her job, as Aktana almost was. It was a way of showing why Patience was
given her cat powers.
Chapter Twenty – The Poet and the Inkmaker’s Daughter
Ukon was the daughter of a drunken inkmaker. She handled the ink shop while he spent his
nights drinking. He would then come home
and beat her. One day, while he was out
drinking, Ukon gave a poet named Ga-sho a finer ink than he could afford
without charging him the extra price.
Her father was not impressed by this and beat her badly. When she awoke, a woman was telling her to
leave and not go back. She went with the
woman and saw that her house was on fire.
It burned with her father still inside.
The woman turned out to be Ga-sho’s cat.
This was another chapter meant to give insight into why
Patience was chosen to be a Catwoman while also giving some history of the
whole cats saving people thing. Ukon,
like Patience, had heart. Ukon cared
about Ga-sho and helped him with his poetry.
Patience felt bad for Laurel Hedare when she was passed over for a
younger model. Their sympathy for these
people led them to dark places. Ukon was
beat because she cared about the poet and his work. Patience fell into a trap because she cared
about Laurel’s sad story.
Chapter Twenty-Three – Midityi Goes Hunting
A widow named Midityi lived in a town with tigers loose
nearby. The Maharajah of Alwar came to
the area to hunt a tiger and he used single women as bait. Midityi fled and encountered a cat that gave
her powers to fight back. Midityi turned
into a tiger woman and went after The Maharajah.
Here’s where these chapters fell into place. Midityi was like Patience in that she was
given powers to fight back against a bad world.
Midityi fought the Maharajah who kidnapped women as bait. Patience fought a cosmetics company that produced
dangerous concoctions. They were women
trying to make the world a better place by using the their cat powers.
These three chapters of the Catwoman novelization gave a background to both the powers and to
Patience’s coming to terms with it. They
were a beginning, middle, and end to the realization of her powers. The first showed her that the cats had saved
her from her old life. The second showed
her that she should use her compassion to help others. The third showed her what she could do with
her powers. It was a three chapter story
about Patience learning how to become a Catwoman.
It would be hard to include the three chapters in the movie Catwoman without it killing any of the
pacing that had been built up. It killed
the pacing of the book, for sure.
Seventeen chapters into reading about Patience’s life and her problems
with Hedare, there was a chapter about someone from another time going through
a different struggle. There was no
warning. It just suddenly happened. The three chapters of background history were
the three strongest chapters, however.
They didn’t suffer from the attempted cool of everything else. There was no forced dialogue and the
characters felt real. The influence of
the movie’s script was gone and the author was able to write her own stories
within the story that was Catwoman.
As I said earlier, most of the novelization felt like the
movie. The only real difference was that
there was slightly more insight into Patience’s thoughts. There was also the annoying little detail
where the book differentiated between the Patience and Catwoman
personalities. I got really irritated
whenever she was called Catwoman in the descriptions. Ugh.
Catwoman was a
story with many problems, in both film and novel form. The novelization tried to improve it by giving
some background to the powers. It let
the readers imagine something in their heads without simply replaying the
movie. There were deleted scenes that we
were allowed to interpret in our own way.
And it was better than the movie.
Most of the time, when people say the book was better than the movie,
they’re talking about movies that were adapted from the book. In this case, the book was better (slightly)
than the movie, but it was the other way around. The movie was first. The book was later. It’s movie magic on the page.
I’m going to leave a few notes here because there are
some things I need to leave you with:
- Here’s the post for Catwoman.
- And here are the posts for The Room and The Disaster Artist.
- This is a bonus post, and as such, there’s still the regular post for the week. Here’s the post for Baby Geniuses 3-5.
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