Sunday, May 24, 2015

How the Transmorphers (2007, 2009) Movies Fit in the Asylum Archetype



For this week’s Sunday “Bad” Movie post, I watched the two Transmorphers movies.  These are two movies produced by The Asylum in 2007 and 2009 that took their core premises from the blockbuster Michael Bay Transformers series.  The first in the franchise came out around the same time as the first in Michael Bay’s franchise, and the second was released around the time of the sequel.  Like most of Asylum’s releases, the Transmorhpers movies are meant to cash in on the success of the movies they are ripping off, confusing people in movie rental stores (the few that are left) and online streaming services, when they accidentally pick these movies up instead of the mainstream ones.

The Asylum tends to take liberties with the stories they tell.  They might be ripping off something more famous or popular, but the stories tend to be their own and fit their own mold.  The movies follow a certain set of criteria for the most part.  In my post for Rise of the Zombies, I outlined five of the main concepts that seem to appear in the movies produced by The Asylum.  I’ll review them now very quickly before I get right into this post.

The first of the concepts is the fact that the movie is based on an established property.  Whether that means a franchise, a single movie, or even a television show, the Asylum movie should be a knock-off.  In many cases, the title is a rip-off of the title of the known property.  Other times, it is only the core concept of the movie. This concept is essential in getting people to watch the movie.  If you can confuse them into thinking it is something else, they will watch it.

Concept 2 is that the movies produced by The Asylum have at least one recognizable actor in them.  This is more common in the more recent Asylum movies than the ones that came near the beginning of the company’s reign of direct-to-video rip-offs.  The actors themselves might not be huge stars.  They could be someone who was supporting in a bunch of stuff.  They could be a person who had one big role that they are known for.  As long as people could see the actor and think “Hey, I know that person” it is enough for The Asylum.

Bad effects is the third concept because no Asylum produced movie is complete without the subpar effects that give the action that the mainstream movie would typically have.  The effects are usually very poor quality.  In many cases, they are outright laughable.  Because of the low budget of the movies, the effects can’t really get the funding to be of a higher quality.  That’s The Asylum for you.

Onto concept four which is that one of the main female characters must be a doctor, scientist, or stripper.  Must is such a strong word.  Most of the time this is the case with The Asylum movies, though.  Why these three professions?  I’m not exactly sure on that one.  The strippers aren’t as often as the other two, and may in fact not be a part of the equation.  It is mostly in here from when I watched 200MPH, a movie that has yet to be featured in the Sunday “Bad” Movies.  Doctor and scientist are two sure-fire jobs for women in most Asylum films.

The fifth and final concept is basically an offshoot of the first one.  In the rip-off movies, the plot usually seems to get more outrageous than the movie it is based on.  This one really needs an example to be explained properly.  I will use Snakes on a Train for this one.  Snakes on a Plane involved people trapped on a plane with snakes that were put in the storage hold by a criminal.  Snakes on a Train takes a different approach.  The snakes come from inside people, and when they attack other people, those other people release snakes.  Then a snake grows and eats the train.  That is a lot more insane than Snakes on a Plane.

The reason that I wanted to restate each of these concepts for movies produced by The Asylum is that I wanted to take the remainder of this post and write about how the two Transmorphers movies fit into the five concepts.  The more that they fit, the more stereotypically Asylum the movies are.  I will go through each concept with each of the two movies to determine whether or not that concept is a part of the movie.  So, without any further rambling on this part of the subject, let’s get into the first of the two Transmorphers movies.

Transmorphers

Before I go over the different concepts and how they relate to this specific movie, let me explain the story of this movie.  In the future, the human race has been driven underground by the robots that now rule the Earth.  The atmosphere is bad, and it is dangerous on the surface.  A group of soldiers goes on a mission to end the mechanical threat and bring the world back to the healthy state it was at before their arrival.

Transmorphers is clearly a take on the first Transformers movie; however, the story is drastically different.  The title alone makes the movie fit the first of the Asylum criteria.  Transformers is a very close title to Transmorphers.  And, at their core, both movies are about humans having to deal with dangerous, shape-shifting robots coming to Earth.  But Transmorphers takes place in a future world that has been overrun by robots, so that’s different.  There is still enough present to fit the first concept.  That means that we’re at 1/5.

There’s nobody in Transmorphers that could have been used for name recognition at the time.  Most of them had done small parts in many movies and television shows previous to being in the movie, but nobody had any real star power at the time when it was released.  We are still at 1/5 for the concepts that this movie hits.

Bad effects is a concept that is readily apparent throughout Transmorphers.  With all of the different robots that have to transform into giant death machines, effects are required throughout the movie.  None of these effects look all that good.  In fact, many of them look downright terrible.  They look like computer graphics from the show ReBoot, but placed in a live action setting.  The movie definitely fits this part of the Asylum criteria, so we have now gotten to 2/5.

Fourth up is female doctor or scientist.  I do believe this one is not present in the movie.  The doctor/scientist in Transmorphers is a man.  However, he does have an assistant who is female.  Maybe that’s stretching the definition of female a little bit.  His assistant is an android made to be female.  I would consider this about halfway there, so I’m going to give the movie half a mark.  2.5/5.

Finally, we come to how outrageous the movie is compared to the first Transformers movie.  Does Transmorphers top that movie in terms of insanity?  That’s difficult to say.  In Transformers, there are two factions of robots fighting against each other, with Earth being their battleground and the humans ending up in the middle of the war.  Transmorphers simplified this by making it humans versus robots, without any robot versus robot stuff.  Then again, we do find out there are androids within the humans, so I guess there are robots versus robots in a small sense.  In Transformers, the robots transformed into vehicles.  In Transmorphers, they transformed into any mechanical device.  Plus, the atmosphere was destroyed in the rip-off.  I guess I have to give it to Transmorphers.

That leaves Transmorphers with a 3.5/5.  That’s pretty Asylum of the movie.  There are some movies that are more stereotypically Asylum, yet there are many more movies that aren’t as Asylum as Transmorphers.  Let’s see how the sequel (actually a prequel) stacks up with the criteria.

Transmorphers: Fall of Man

Because this movie is a prequel, the story takes place prior to Transmorphers.  It follows a group of people in a small town who are dealing with the initial coming of alien robots to Earth.  They must band together to try and stop the otherworldly threat from destroying the planet they live on.  And it all leads to the world being engulfed by a toxic atmosphere, and humans being driven underground (the setting for the first movie).

Obviously, the movie fits with the first concept of the Asylum blueprint, as it is ripping-off Transformers again.  Though, the title is even better than the first with Fall of Man playing off of Revenge of the Fallen.  Get it?  They both have fall in them.   As for the story, it fits with Transformers in that it involved alien robots coming to Earth and causing destruction.  That gives Transmorphers: Fall of Man a 1/5 so far.

The second concept that needs to be covered is the inclusion of an actor who is known for his or her work in another movie or television show.  Unlike the first Transmorphers movie, the second one actually has this.  It features an actor named Bruce Boxleitner.  He is known for his work in Babylon 5, Scarecrow and Mrs. King, and Tron (he played the character Tron).  This is enough star-power to allow The Asylum to use his name for selling the movie.  That’s a second point, moving Transmorphers: Fall of Man up to 2/5.

Honestly, the effects in Transmorphers: Fall of Man are decent.  For the most part, that is.  The robots actually look okay.  But, there’s still a lot of weakness in laser blasts and explosions.  So that means that criteria number three is covered.  There are bad effects in the movie, and that’s what The Asylum tends to do.  The movie is now at 3/5.

The fourth thing I need to look for is a female doctor or scientist, and that’s easy enough to find.  One of the main characters, and the first to know the problem that is unfolding, is a female scientist.  So, yeah, that’s in the movie, and that brings the score up to 4/5.

But Transmorphers: Fall of Man is not a perfect Asylum movie.  Sadly, it doesn’t quite fit the final criteria of what makes an Asylum movie an Asylum movie.  It does not out-crazy Transformers: Revenge of the Fallen.  It might actually be the better movie too.  The characters are more defined, the humour isn’t as offensive, it has a story you can follow easily, and it is more restrained.  If it weren’t for the big budget, Transformers could be the Asylum version of itself.  Transmorphers: Fall of Man tops out at a 4/5 on the Asylum scale.



As you can see, some movies fit the Asylum archetype better than others.  The differences in what they have or lack don’t make them any less Asylum, though.  Some of the movies don’t feature anyone famous.  Others, like The Coed and the Zombie Stoner, aren’t even rip-offs.  But they all feel like they come from The Asylum because The Asylum is more than a studio.  It is a brand.  At this point in time, the brand is just as important to the success of these movies as the actor, the source material, or the quality.  People see the name Asylum and they think of Sharknado or the countless other movies by the studio that have been featured on SyFy.  People are now watching the movies based on the studio as much as anything else.

The Asylum began as a studio putting out cheap knock-offs.  It still does that, as can be seen by the ever increasing number of Asylum produced knock-offs that I’ve seen for the Sunday “Bad” Movies.  But the studio is growing out beyond that.  As such, the criteria will likely grow as I see more of their movies.  They even have a television show called Z Nation that airs on SyFy.  They’ve basically become this generation’s Troma.  What will come of the studio in the future?  Only time will tell.
There are a few notes for you guys and then we’ll be done for this week:

  • Jason S. Gray was in Transmorphers.  He had previously been featured in the Sunday “Bad” Movies in Snakes on a Train.
  • Shane van Dyke was the star of Transmorphers: Fall of Man.  He was also the star of Paranormal Entity.
  • I mentioned The Coed and the Zombie Stoner and Rise of the Zombies in this week’s post.
  • Other movies by The Asylum that I have covered are Two-Headed Shark Attack, Nazis at the Center of the Earth, and Bermuda Tentacles.
  • Have you seen either of the Transmorphers movies?  Have you seen any movies from The Asylum?  What movie do you think is the most Asylum of all Asylum movies?  There’s a comments section below where you can discuss all of this and more.
  • If there’s a movie that you think I should discuss for the Sunday “Bad” Movies, you can tell me in the comments, on Twitter, or in an email at sundaybadmovies@gmail.com.
  • Next week’s movie is a little movie called Freaked.  It comes from Alex Winter, of Bill and Ted fame.  I’ve not seen it before, so this is going to be interesting.  See you next week.

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